The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
Ah, now it will!
Nice guitar Chris! I tell you what, watching the video and hearing the song, it makes me ashamed for the human race. Ha, that's a laugh, human!
The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
The piece that was originally uploaded here had an awful flaw - the sustain pedal was depressed throughout the piece. This is the correct rendering.
The tuning in question is only slightly different from the "normal" 12 equal.
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Comments on vaisvil's stuff
Love the midway elements that sound like ghostly vocals - and then the later cello-like echoes. Very lovely!
Lovely flavours - calm before the storm.
You need to put that little guy on t.v. ;)
Crazy hearing SP in Edo, very nice.
excellent....great vocal....
Ah, now it will! Nice guitar Chris! I tell you what, watching the video and hearing the song, it makes me ashamed for the human race. Ha, that's a laugh, human!
No, this one will not play!
Very nice!
Crumbs! She has good balance! Full of grace! Bit like your music really.
Most interesting rhythm at 1.30 ish. Yeah, compelling! Strong and creepy!
My goodness, a most dramatic piece with oriental flavours.
Wonderful stuff! Superb piano playing! Cute Ferret! Bless!
Nice marmot. http://www.youtube.com/watch?v=j3HntMTZX0Y
Very otherworldy, Inventive, and well-structured. This track paints an industrial landscape.
out of Franks left ear.
Left brain/right brain. OK,I'm with you.
nicely rich in sound scape,,, mostly the precussive instrument family? i like the airyness of this,, (wish i knew how to spell)
interesting,, is this a standard tuning?
That ending is way cool!
Very cool and unexpected ending!
Comments made by vaisvil
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!