you haven't got involved with Desirea .....she's no good for you Chris she' ll turn you to drink for sure.....it starts with one glass you know......great tune though.......
a re-composition of the following pieces posted to ImprovFriday:
Steve Layton: Warning Bell
Norbert Oldani Colors 8
Steve Layton: October Afternoon
Jeff Duke & Isaac the Cat Right Ascension
Roger "ErocNet" Sundström Only
Roger "ErocNet…
a re-composition of the following pieces posted to ImprovFriday:
Steve Layton: Warning Bell
Norbert Oldani Colors 8
Steve Layton: October Afternoon
Jeff Duke & Isaac the Cat Right Ascension
Roger "ErocNet" Sundström Only
Roger "ErocNet…
a re-composition of the following pieces posted to ImprovFriday:
Steve Layton: Warning Bell
Norbert Oldani Colors 8
Steve Layton: October Afternoon
Jeff Duke & Isaac the Cat Right Ascension
Roger "ErocNet" Sundström Only
Roger "ErocNet…
great spooky start.....is everybody in?....the show is about to begin.......something is trying to eat the notes ....watch out.........or is it the inside of my head .........raise the alarm.........no it's ok it's going away ......I think it's gone back in the sea.........but I'm keeping an eye out....great stuff....throughly enjoyed the ride
just had a listen to this on your site excellent ........music and word go together great......was Walter an actor as I'm sure I recognise his voice from somewhere
Perfect! I have loved this percussion track for a while now, and it's really cool hearing all of our takes on it. (Yours, Geas, and mine.) Another great mellow jam track.
i was listening to a post of this Beatles cover by oldrottenhead this morning,,it is a really great song, so this evening i sort of just sort of sat down an let it happen,,i didn't even really know the song as much as i might like,, but i find…
ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.
Added a little more to this nice little change of strumming patterns played as an excuse to write a little love song.
I FOUND LOVE
You know I love you more than I
Ever thought one simple man could
You know I need you more than I
Ever…
The berimbau is a Brazilian instrument associated with Capoeira, which is a Brazilian art form that combines elements of martial arts, sports, and music. It was created in Brazil mainly by descendants of African slaves with Brazilian native…
finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.
Lyrics:
======
I hate you when you breathe. Could you stop?
Waking up is hard to do when sleep never comes
But your ugly faces woke me up...
Callous sycophants
I know you too well to rest again
I'll stay up forever. I'll be ready
I've seen…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
these are the dronishness effects going thru my mind at times..
I have the midi files saved if you would like them? although some of this is performance midi records If I can say that? ;)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
Comments on vaisvil's stuff
Love that high pitch sound of the Trumpet! nice!
Ah! Reg, you are right. I thought she looked familiar. I wonder what she is looking at - no doubt somebody has dropped their wallet on the sofa.
you haven't got involved with Desirea .....she's no good for you Chris she' ll turn you to drink for sure.....it starts with one glass you know......great tune though.......
They say a good wine has nice legs...
Inspiring I like the accompanying monolog too.
Well creepy!
Instant favorite!
Some spooky sounds guys:) for example the stepping distorted light shoe tapping (L to R)...Perfect!
you hear a far off voice, the back ground music to the cosmos
This is Great and Stealing Pumpkins is really gettin' around. Maybe everyone should do a version. :)
great spooky start.....is everybody in?....the show is about to begin.......something is trying to eat the notes ....watch out.........or is it the inside of my head .........raise the alarm.........no it's ok it's going away ......I think it's gone back in the sea.........but I'm keeping an eye out....great stuff....throughly enjoyed the ride
Has great spirit ,to my mediocre mind
Strong and stirring!
just googled Walt....Walt is the man
just had a listen to this on your site excellent ........music and word go together great......was Walter an actor as I'm sure I recognise his voice from somewhere
Yes it is mellow sounding. Lovely collab!
Super piece! Love it all!
Perfect! I have loved this percussion track for a while now, and it's really cool hearing all of our takes on it. (Yours, Geas, and mine.) Another great mellow jam track.
Sweet track man!
Great collab!
Comments made by vaisvil
ohhh I didn't see you had uploaded this! To answer your question - it was a Yamaha - can't remember the model - it had 3 pedals - I agree about the low end but the high end was really weak in my opinion.
the scope of this is totally impressive
one of my favorite songs - done really well!
Beautiful Richard!!
this is an excellent song!
finally got to hear this. there is a distinct didgeridoo sound to it, especially when you start. I wonder what would happened if you bowed the string. - and - how did you pull the wire out of a tire - I want to do that.
This is cool! You made the google guitar sound like its going through a *huge* stack.
wow. very powerful words and music.
this is excellent - and unique!
lovely Richard! Sounds light music for a candle light dinner.
thank you for the listen and comment on my seagull improv.
Reg - he did do something like that one day - and yes it was great!
and the excellence of the music should be overlooked too.
Reg - you are one heck of a story teller! Have you considered writing a novel or short story?
Hi John, I like this one.
you should be creating music for sci-fi films!
I wish AT had a repeat button. I'm downloading this - great piece Norm!
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?