22 Memories of 911 is an improvisation in 22 notes per octave tuning on my AXiS49. The AXiS 49 seems to be especially suited to 22 notes per octave.
As for my memory – I remember being at work and someone had set up the TV in the conference…
Revolution in their minds - the children start to march
Against the world in which they have to live
and all the hate that's in their hearts
They're tired of being pushed around
and told just what to do
They'll fight the world until they've…
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
Image from Katerina Art - click on image to view more work by this great graphics artist. If you follow the link you will see that she has dedicated this image to the victims of 9-11. Katerina of course owns all rights to her image and is not…
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity…
I reverted my Woods acoustic from 18 edo back to normal 12 edo - and ran 2 tracks of it into guitar rig. Added 5 string bass - and then added the drum pad - which explains the totally odd percussion. The first track I did had an open mic (thus…
I reverted my Woods acoustic from 18 edo back to normal 12 edo - and ran 2 tracks of it into guitar rig. Added 5 string bass - and then added the drum pad - which explains the totally odd percussion. The first track I did had an open mic (thus…
Revolution in their minds - the children start to march
Against the world in which they have to live
and all the hate that's in their hearts
They're tired of being pushed around
and told just what to do
They'll fight the world until they've…
I reverted my Woods acoustic from 18 edo back to normal 12 edo - and ran 2 tracks of it into guitar rig. Added 5 string bass - and then added the drum pad - which explains the totally odd percussion. The first track I did had an open mic (thus…
22 Memories of 911 is an improvisation in 22 notes per octave tuning on my AXiS49. The AXiS 49 seems to be especially suited to 22 notes per octave.
As for my memory – I remember being at work and someone had set up the TV in the conference…
I reverted my Woods acoustic from 18 edo back to normal 12 edo - and ran 2 tracks of it into guitar rig. Added 5 string bass - and then added the drum pad - which explains the totally odd percussion. The first track I did had an open mic (thus…
Revolution in their minds - the children start to march
Against the world in which they have to live
and all the hate that's in their hearts
They're tired of being pushed around
and told just what to do
They'll fight the world until they've…
22 Memories of 911 is an improvisation in 22 notes per octave tuning on my AXiS49. The AXiS 49 seems to be especially suited to 22 notes per octave.
As for my memory – I remember being at work and someone had set up the TV in the conference…
We were all glued to the television over here as well. What a living nightmare!
My daughter had arrived in San Francisco, I was doing my nut.
Great musical interpretation here Chris.
22 Memories of 911 is an improvisation in 22 notes per octave tuning on my AXiS49. The AXiS 49 seems to be especially suited to 22 notes per octave.
As for my memory – I remember being at work and someone had set up the TV in the conference…
Back in December of 2009 I sequenced a number of tracks from Bill (http://alonetone.com/acid ) and didn't release this alternate mix. If you like ambient you may enjoy this. Creative content by Bill, production by me.
Back in December of 2009 I sequenced a number of tracks from Bill (http://alonetone.com/acid ) and didn't release this alternate mix. If you like ambient you may enjoy this. Creative content by Bill, production by me.
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Year: 2009
Album:
serenity
Artist's description:
A tune put together by us for you
bass, rhodes, organ pad, drums, guitar, glockenspiel, bata, quintos, shaker, effects.
The piece is polyrhythmic and polytonal. we suggest you give it a couple…
back for some more of this beauty this time I'm taking it away with me......no...you can't stop me I'm going to keep it......no I told you .....no...I'm keeping the beauty
these are the dronishness effects going thru my mind at times..
I have the midi files saved if you would like them? although some of this is performance midi records If I can say that? ;)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Well Reg is a touch concerned about his new love Lorraine who has been missing for last two days and she's not answering his calls and his getting a little touchy about it ....a little insecure to be truthful........................
Who do…
So I'm back at Caffe Lena on Thursday night gearing up for my two songs and a band called "Driftwood" takes the stage (banjo, acoustic guitar, fiddle) and blows everyone away.
Kinda gets me thinking...
And writing...
"Driftwood"
Coming down…
Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.
I wanted to see how much "music" I could get out of one chord and four notes. Sorry that it has a sort of cheesy 80s sound at times, but that's when I started playing guitar and it's hard to reprogram your brain. The chord is Bsus2 and the solo…
Fulfilling a request by Acid
The video is the whole point / show here. Please put into the comment section what you think the occupants of the car you see at 1:00 where thinking. Or alternately the kid on the bike at 1:20.
Can't Stop Myself by Chris (Vaisvil) and the Clones - Gothic Techno-industrial metal - ISDN stereo => from 1996
Can't Stop Myself
the thoughts they in my head
spinning around
the thoughts they eat my head
and rip me down
they want me to do…
This is a recording of Norm and me playing together a few months ago. I didnt have any percussion instruments so Norm was on a Roland electric trap set and I had a cello. I looped some of the stuff we did that night, and retrofitted the rest…
in a cool darkened lounge
floors above the cityscape
quiet laughter, clink of ice in glass
D min looks into the eyes of G min
a quiet romance begins
sometimes the best things in life are quite simple
(lots of rough sound on this,, not sure…
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
Comments on vaisvil's stuff
I was living in upper marlboro MD at the time....i will never forget it.
This is an awesome cover! LG
Christmas is early! beautiful vocals by Bethan!
Cuts like glass...heart pounding. sweet tune.
and, so far, no aliens!
a short but beautiful song with stunning ...stunning vocals!
Yes, I was suggesting that! Gently!
@ Norm - I think she is saying I need you help!
...at least the 'bots are consistant in what they fave.
@Bee: Ahem. That is not me in the humorous picture. I have no ball n chain.
ominous sounfro of loss an excellent piece of work ........
I like the humorous picture! I really like this track, it has something very cool. Uh, there's this guy called Norm .....
Great music Chris! Emotive track with dynamic vocal.
We were all glued to the television over here as well. What a living nightmare! My daughter had arrived in San Francisco, I was doing my nut. Great musical interpretation here Chris.
symbiotic deathknells eek the soul
The music fits perfectly. Sort of windlike over a barren landscape. I have to follow the link now, how fascinating.
apparently so - seeing another one slipped through the wormhole
so thats where the aliens come from.................
I loved doing this collab so I've bought it back up from the bottom for an airing ............
back for some more of this beauty this time I'm taking it away with me......no...you can't stop me I'm going to keep it......no I told you .....no...I'm keeping the beauty
Comments made by vaisvil
Hi John, I like this one.
you should be creating music for sci-fi films!
I wish AT had a repeat button. I'm downloading this - great piece Norm!
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
This is beautiful! I love the bluesy feel. Would it be ok if I try to add to this?
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
your vocal control amazes me - excellent story and song!
Good one! You have a way, like The Boss, of touching something about life in your songs that just resonates. And judging from the comments -- resonates with pretty much everyone who hears.
I'm liking this!
this is a cool rocking piece - but didn't you use B maj as a resolution of B sus in there?
yes I am. With *lots* of rosin on the hair.
naw, I have nothing to do with NMC or DJNS. I was a part of 2 star man and that was enough for me!
excellent - and great solo!
more than just paulstretch I'd say - or different. in any case a cool idea!
I like the groove you two get going on this.
and a lovely romance it was.
can't say I'm done 4ths - I'm usually fixated on 5ths - nice improv - did you play the synth at the same time?
lovely is too mild of a word - this is gorgeous and spell binding.
very enjoyable!