A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
http://en.wikipedia.org/wiki/Antiprotonic_helium
Tuning:
Harmonic six-star, group A, from Fokker
16/15 6/5 32/25 4/3 3/2 8/5 48/25 2/1
A string composition played on Fender Mustang driving a Roland GR-20 that was re-tuned on the fly
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Hello guest (75.27.136.221)
I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
This is a piece using 2 keyboards, an M-Audio 88es (vocal choir) and Alesis Q49 (brass choir) in 17 notes per octave. The objective was to use some functional xenharmonic chord progressions. I would be interested in knowing if you perceive the…
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
Reg has got a kinda Bluesy political thing going on this one.....he's been reading the paper and watching the news..........it's a little too long but i think he makes a point.......do you?
Two ambient guitar tracks recorded independently and stick together. I broke my rule of not using distortion on a BL piece, for the first time, believe it or no.
I'm not on top of it as usual, guys. But I did manage to let Greg Brady out of my basement and set him free. This is his testimonial regarding the incident. I hope he can forgive me.
Once upon a rainy day, we were out in the farm fields waiting on the sun to break through the gloom. We arrived in this dark world naked and were washed clean waiting for the sun. Little darling, here it comes...
This is the first demo [Sister Savage](http://alonetone.com/sistersavage) and I have made for our RPM 2011 album.
Although I've uploaded a copy here we'd be really grateful if you would listen to the [version uploaded by Sister](http://alonetone…
Normal IL - tantalizing close to Urbana where musicians are turned to the darkside of microtonality. Come, let me show you the power of a 19 note per octave guitar! Seriously - if you are interested at all you may want to make the drive.
Along with her magnificent harmonizing vocal tracks, Inge sent me one track which was crashed by her 2-year old son Willem. He pretty much takes over the whole operation at about 3:00.
In the background you can hear the original rough vocals…
I Got the Idea for this tune when I left Geir at Stanstead Airport.
Recorded it Last night after a Gig....
For the Folk Fest...
Pretty PennyWords and Music by Tharek Mokbul
-Lyrics-
Pretty Pennies sing about the troubles in the way.
Tells…
Comments on vaisvil's stuff
That's dark. Great ending...
It was only a matter of time... it pleases me that you are releasing your inner percussionist.
Love the street drumming busker!
Good for you! Be careful with such an addicting piece of gear!
loving it Chris .."......
I like it guys. pretty kreepy though. lol.
epic guys. . :)
ahhh the good ole marshmallow laws :)
Nice one mate very cool.
Very trippy
always vaisvils me inward-outwardly
Excellent trippy video got lost in the running water enjoyed the mashup
Basking in this...!
crazy cool !
wonderful......
Hello guest (75.27.136.221) I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
My (under-educated) ear finds this piece very instructional. Neat.
and the fairies came out although it was not yet dusk"...........
Comments made by vaisvil
one could make any brass instrument to play in any temperament by valve placement and tubing length as far as I know. On the other hand 24 note per octave (and finer divisions) are avalable on wodwind and brass with using alternate fingering. On a recent trip to Urbana for a performance Peter's composition called for french horn playing in harmonic series tuning - but I guess the actual use comes close to 72 equal. The video of that is here: (go to about 16:40 .) http://www.youtube.com/user/clones98#p/u/30/OjY4LwBV8sM
funky indeed!!
cool reg!
yes I do. Nice piece!
this sounds fantastic!
I know you've seen this somewhere before - but it bares repeating. This is a really nice piece - excellent improvisation!!!
this is so *strange*
I expected Beatles - boy was I surprised!! This is a wonderful bright, bubbly pop song - almost Beach Boys - but really good and modern!
nicely done - I enjoyed listening and especially the climax at 3' as pointed out.
very nice!
like I need to be encouraged!
Normal IL - tantalizing close to Urbana where musicians are turned to the darkside of microtonality. Come, let me show you the power of a 19 note per octave guitar! Seriously - if you are interested at all you may want to make the drive.
like the indie vibe on this one!
beautiful piece!
nice jazzy number!
I love Inge's voice! - so rich. BTW - what guitar do you play - it sounds quite nice. A very good tune you both put together here.
I love your voice in this. Reminiscent of Gordon Lightfoot.
this is quite good. could I write music for it?
this is a great combination!!
interesting piece!