A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
I purchased a Simmons drum pad today - I'm not a real drummer - please be kind. It was on sale at Guitar Center $180 + extended warranty + sticks http://www.simmonsdrums.net/sdmp1/
The synth is my Fender Mustang + GR-20
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
A mashup of microtonally processed music created by Jukka-Pekka Kervinen called imp_08_1 with video and video sound tracks by Chris Vaisvil
Jukka-Pekka's original
http://heliumheal.wippiespace.com/mp3/imp_08_1.mp3
http://en.wikipedia.org/wiki/Antiprotonic_helium
Tuning:
Harmonic six-star, group A, from Fokker
16/15 6/5 32/25 4/3 3/2 8/5 48/25 2/1
A string composition played on Fender Mustang driving a Roland GR-20 that was re-tuned on the fly
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Hello guest (75.27.136.221)
I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
And another one I didn't share from the same day. I must of been in a funk where it all sounded really bad. This improvisation concentrates more on melodic aspects of 22 edo though there are some harmonies.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
That's dark. Great ending...
It was only a matter of time... it pleases me that you are releasing your inner percussionist.
Love the street drumming busker!
Good for you! Be careful with such an addicting piece of gear!
loving it Chris .."......
I like it guys. pretty kreepy though. lol.
epic guys. . :)
ahhh the good ole marshmallow laws :)
Nice one mate very cool.
Very trippy
always vaisvils me inward-outwardly
Excellent trippy video got lost in the running water enjoyed the mashup
Basking in this...!
crazy cool !
wonderful......
Hello guest (75.27.136.221) I'm just following my ears. I suspect my mind imposes more order on the chaos than just running wild - also I suspect it is not a strict "anything" like a MOS.
If I had a 2^ n/22 keyboard handy I could learn a lot from reproducing the melodic phrases in this piece. Are you sticking to a particular mode here, maybe one of Erlich's decatonic 22 edo modes, or are you just canoodling around without a moment of symmetry?
Nice job, Chris! I really like the way you developed the piece! Sounds really good! Part of the melody made me think of a rhythm of Nirvana's Heart Shaped Box, which I happen to like quite a bit. Thanks for posting!
My (under-educated) ear finds this piece very instructional. Neat.
and the fairies came out although it was not yet dusk"...........
Comments made by vaisvil
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!
another very interesting piece! Thanks for sharing!
very interesting work here. What do you use for your sound source?