This is a solo piano improvisation that I performed last year (2009) but have tinkered off and on for a while as a work in progress. It really isn’t done yet but I thought I might let others hear it. The piano sound is generated entirely by…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
compelling track, I like it. In other context the faux drums might bother me but here the strange elements seem to compliment each other; or a sense of conscious artifice.
PS I like your Ives
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
Time to upload an oldie from February - see the video
Stratocastor copy from a kit with lace pickups x 5 through guitar rig 4 against Norm Harris' Illesa in the Pantry!
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
It is to you
I look for every step
It is to you
I look for every breath
No one can see the tide they're riding
No one can see the place they're going
It is for you
I look in every face
It is for you
I look in every place
There is no loneliness…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Piano Sonata One -- the Mexican Sonata
1st movment here
2nd finished -- but waiting its turn
3rd in concept form (much to think about)
Dedicated to Ralph who passed away last year during the RPM month of February,, The slower middle section…
This is one of my first alonetone collaborations written by Louis Smit.
Everyone should go listen to some of his tunes. Louis is a very original
and talented folk style acoustic guitarist- singer - songwriter.
You can hear him here.
http://alonetone…
This is a special request by Sister.
It's kinda sloppy. Frankly, because I suck at it :)
I'm not much of a cover musician but I gave it hell.
It's mostly analog. MIDI drums, DB33 organ patch,
strat leads, and Ibanez chords, Dean bass…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
Comments on vaisvil's stuff
Cool! Those mandolins make for a great texture
Is that you playing guitar? just curious from your other tracks. Very nice!!!
Faved and saved! so good!
Sounds Cool!
Great mix guys.
Very Nice! Enjoyed that
sounds great
Ha! I have an ear for vintage Vaisvil!
Great guitars. I was suprised that this was a 2010 piece... reminds me of some of your vintage stuff.
compelling track, I like it. In other context the faux drums might bother me but here the strange elements seem to compliment each other; or a sense of conscious artifice. PS I like your Ives
:)
I will have to stop back by sometime and really listen to each track....got a great collection of everything here.
Love this one! Faved,downloaded...and listened to A LOT
Had to listen to this again.
Big time awesome!
pretty solo.
neat-o!
Excellent. I like the drum work too. The guitar bridge rules.
great sound and effects
dIG IT
Comments made by vaisvil
Excellent!!
Excellent sounds and I keep wanting to hear more of her :-) I especially like the percussion.
Beautiful!! In composition and execution.
Nice tune - so this is a cover?
Nice tune - like the production
nice an heavy!
entrancing! Not at all what I expected with "march" in the name - much more subtle and smooth - I enjoyed this one very much!
Awesome!!! This is so perfect!
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!