19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Part-1 (first 11 minutes) was calming and elusive..the second part all the way to the 22nd minute was harpooning my thoughts, just brilliant Chris! More like this...please.
Picture and information here:
http://chrisvaisvil.com/?p=859
Line up:
2 tracks (right and left) of hammer dulcimer, fretless bass, and cameo appearances for both fretless guitar and electric psaltery.
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
Ambient video and audio improvisation with my 19 notes per octave guitar, loopstation, Marshall amplifier, Zoom H2 and post-processing.
on youtube
http://www.youtube.com/watch?v=gGO0R381HQs
full quality video
http://clones.soonlabel.com/public…
This is in some boring typical genre. I just can't figure out which one. Perhaps Wiccan dances for epileptics? Not sure.
In Cold Hell, in Thicket is a microtonal musical setting of Charles Olsen reading his poem in 1950 as provided by PennSound…
I enjoyed the imagery on the video a real pandora box of images....... a nightmare vision within the music an excellent ride.....sounds like you had a big stick to conduct the prisoners
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
Lovely!
So your guitar has 17 frets to the octave or you retune so the octave is at the 17th fret instead of the 12th? does it tune up in a similar way? which fret gives you the note for the next string?
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
Good stuff Chris as far as the introduction goes i have to agree with Alex i understood "This is a guitar piece" but that's all.The video it's great it puts a face to you although a very serious concentrated one. Good one
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
This is a motet I wrote for theory class slowed down by a factor of 12 and sung by 4 different choirs. A contribution to the ImprovFriday drone fest. And I made a video too.
This is a video piece made for the ImprovFriday drone theme event which used my DIY 9 string canon, DIY electrified 8 string psaltery, viola bow, ebow, and fingers. The tuning in unknown – just something I did by ear.
Pictures, streamable video…
After Creation is an entry into the Vox Novus 15 Minutes of Fame competition for flute and marimba duet. Unfortunately the entry was not accepted for performance but undeterred I present to you a performance of the score rendered by Garritan…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
That is most touching, yes, most touching. With fading eyesight she looks out on a world through a net curtain, not noticing! The music was perfect.
The panning enriches the intro wonderfully. Very cool sounds.
Part-1 (first 11 minutes) was calming and elusive..the second part all the way to the 22nd minute was harpooning my thoughts, just brilliant Chris! More like this...please.
Another way to enjoy this is open a second window in your browser and start Norm's Ilesa at the same time.
loving the broken timing that is synced again in the end. very very tense in the intensity of it.
Very well done!!!!!!!
Cosmic
Whose house were the other 20 seconds at? Intriguing sounds!
Stirring and mystical! My kinda morning!
Very cool.
this one's right up my street Chris. Nice.
What have i to say?........i listened and let the words words wash over me and enjoyed the experience...thank you
I enjoyed the imagery on the video a real pandora box of images....... a nightmare vision within the music an excellent ride.....sounds like you had a big stick to conduct the prisoners
A little avante garde for me but I can appreciate the work that went into it.
Lovely! So your guitar has 17 frets to the octave or you retune so the octave is at the 17th fret instead of the 12th? does it tune up in a similar way? which fret gives you the note for the next string?
Good stuff Chris as far as the introduction goes i have to agree with Alex i understood "This is a guitar piece" but that's all.The video it's great it puts a face to you although a very serious concentrated one. Good one
Am totally inspired to make more videos to accompany tracks. This is really effective!
Mesmerising! Great video!
Agree with Wrink, Norm and Kavin, all of whom said far more intelligent things than I have ever said in my commenting life.
Enchanted!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!