Pictured about is my new 19 note per octave guitar which was used extensively for this piece. For more production information http://chrisvaisvil.com/?p=800
The text is from an interview with a Japanese woman after the 3/11/2011 earthquake…
Hell yeah man have at it! If you need me to email you the files let me know. As for vocals I had my wisdom teeth pulled last friday so no vocals from me right now..might be able to drool onto the mic for a bit, but that's about it. ;)
not nearly as nice as the original
http://alonetone.com/richardlaceves/tracks/piano-moment-7
nonetheless I'm hopelessly in love with the flatted 5th theme.
I liked it. In my music theory course.."Many moons ago" my teacher only played piano. Being horrible with sheet music as I am, it took forever to transcribe it over to guitar and drove me insane. So I say good at you Chris. If I only had then attention span for music like you and Norm do :)
not nearly as nice as the original
http://alonetone.com/richardlaceves/tracks/piano-moment-7
nonetheless I'm hopelessly in love with the flatted 5th theme.
Hey Chris,, weither or not you have fallen for the b5th theme,,i think your work here is amazing,,,, i think i have fallen for it,,, i have listened to the other take once, and will listen again,, but this just grabbed me,, well done friend Richard
Pictured about is my new 19 note per octave guitar which was used extensively for this piece. For more production information http://chrisvaisvil.com/?p=800
The text is from an interview with a Japanese woman after the 3/11/2011 earthquake…
Minamisoma was a city in Japan that was destroyed by the earthquake and tsunami of 3/11/2011. The Angels of Minamisoma is a memorial piece for flute and vibraphone written in free tonality that is driven by melodic and harmonic tendencies that…
Pictured about is my new 19 note per octave guitar which was used extensively for this piece. For more production information http://chrisvaisvil.com/?p=800
The text is from an interview with a Japanese woman after the 3/11/2011 earthquake…
Minamisoma was a city in Japan that was destroyed by the earthquake and tsunami of 3/11/2011. The Angels of Minamisoma is a memorial piece for flute and vibraphone written in free tonality that is driven by melodic and harmonic tendencies that…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
This is a motet I wrote for theory class slowed down by a factor of 12 and sung by 4 different choirs. A contribution to the ImprovFriday drone fest. And I made a video too.
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
Pictured about is my new 19 note per octave guitar which was used extensively for this piece. For more production information http://chrisvaisvil.com/?p=800
The text is from an interview with a Japanese woman after the 3/11/2011 earthquake…
My composition Ediacaran Garden for classical guitar has been selected for performance by Kenji Haba in New York City June 26 2011 as part of the Fifteen Minutes of Fame with Kenji Haba Vox Novus series. A requirement was that the piece not…
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
i thoroughly enjoyed this. jus read the description n understood as far as.. this is a guitar piece! some people really know their shit! tis a good thing
This is a video piece made for the ImprovFriday drone theme event which used my DIY 9 string canon, DIY electrified 8 string psaltery, viola bow, ebow, and fingers. The tuning in unknown – just something I did by ear.
Pictures, streamable video…
download full quality video (157 MB)
http://micro.soonlabel.com/17-ET/Dead_Sea.wmv
This is a guitar piece in classical style in 17 notes per octave using the 17 version of the phyrgian mode. In normal 12 equal tuning phyrgian mode starts on…
very nice,,, im going to have to come back and watch the video,, in a way it reminds me of the softer side of Michael Hedges, have you ever heard of him? if not i think you would really enjoy looking him up,,,, this is very beautiful!! perhaps we could figure out some sort of piano and guitar colab... though im not sure how that might work with the tunings you use,, but perhaps i can re-tune my yamaha i use for recording,,, or we take care Richard,, and once again well done!!
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Hell yeah man have at it! If you need me to email you the files let me know. As for vocals I had my wisdom teeth pulled last friday so no vocals from me right now..might be able to drool onto the mic for a bit, but that's about it. ;)
I liked it. In my music theory course.."Many moons ago" my teacher only played piano. Being horrible with sheet music as I am, it took forever to transcribe it over to guitar and drove me insane. So I say good at you Chris. If I only had then attention span for music like you and Norm do :)
Hey Chris,, weither or not you have fallen for the b5th theme,,i think your work here is amazing,,,, i think i have fallen for it,,, i have listened to the other take once, and will listen again,, but this just grabbed me,, well done friend Richard
The song makes me feel that the fake life I lead is still stranger then the real one that happens.
very nice writing,,, the sound is very crisp and clear,,,
“Something has changed. The world feels strange now. Even the way the clouds move isn’t right.†Wow, powerful stuff.
A most mournful and lovely piece with a definite feel of Japan. A perfect accompaniment to your amazing photograph.
Fantastic playing there. Congratulations. Pity it's only a minute long though lol
Wow factor here! Fascinating video, kept stopping by the way, but shows that life still goes on. I like way you mixed the images. Wonderful chorale!
A most interesting and beautiful listen with lots of atmosphere. Lovely Chris!
Most interesting, thanks for it. Your music fits the content perfectly and adds stirring atmosphere.
*impressive!*
i thoroughly enjoyed this. jus read the description n understood as far as.. this is a guitar piece! some people really know their shit! tis a good thing
Almost sounds like a bit of Paulstretch going on there in parts.
very nice,,, im going to have to come back and watch the video,, in a way it reminds me of the softer side of Michael Hedges, have you ever heard of him? if not i think you would really enjoy looking him up,,,, this is very beautiful!! perhaps we could figure out some sort of piano and guitar colab... though im not sure how that might work with the tunings you use,, but perhaps i can re-tune my yamaha i use for recording,,, or we take care Richard,, and once again well done!!
I love the beats...wow! Kinda spooky this one! Very inventive!!
Picking up some medieval flavours towards the end - very nice!
Love the reverse touches - reminds me of something I was working on, but this is way better.
Lovely outdoorsy feel. Norm's beats cut through beautifully, while the 12 string holds my attention.
Great expression here! (Also, your "about" pics are fabulous!)
Comments made by vaisvil
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!