Norm's original 12/8 percussion track that forms the basis for the entire piece. http://alonetone.com/norm/tracks/mother-nut-drop
I'm involved in a microtonal music class. We are studying 11 edo instead of the normal 12 edo (equal division…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
I'll always come by to listen to the music of Middle-Earth. Perfectly captured Elven voice sound! Oh... And make sure you get in touch with an Elf that still prefers to speak Quenya if you ever get the chance to record a real one (the high-Elven speech really is quite beautiful although the Sindarin tongue has it's own elegant flow).
Very cool song (coming from this card-carrying Tolkien disciple). Well done!
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
Chris, pretty nice, nice deep mellow sound on the bass,,,,the voice is also pretty good, i think i like it better than that of symphonic instruments,,,but i have not found myself doing well, ever, when trying to work with solo voice,,, i enjoyed this R
This is simple test of East-West symphonic choirs solo soprano voice and East-West Hollywood strings contra-bass. I feel its a bit reminiscent of Lord of the Rings - of course, your mileage may vary - it is a very simple and direct arrangement…
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
i like the way the lead guitar notes blend, is this an effects pedal? (perhaps im showing my ignorance,, oh well) in fact it seems as if many notes are bent/blended in this piece,, very cool,,,, by the way, just for reference, which CM did you say ,, i enjoyed this a lot
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
This is an experiment where I slowed down Norm Harris’ percussion track “7th Son†http://alonetone.com/norm/tracks/7th-son and slowed it down by a factor of five and ran it through effects and such – and then played along with my 17…
love the sound of the slowed percussion each beat seems to shake...sounds like musical devastation the twisted sounds in the silence after something major just happened...an earthquake or Tornado...with a man in a Pink Tuxedo running around crazed in the wreckage looking for his lost Bride.......
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
My Life has Become
I have all of these memories
That come on back to me
I don't know what to do
I don't know what I should do with them
Out of nowhere they cover me...
Like a breaking beam of light
Like the star dust in the night
Like…
I played 12 string guitar and 5 string bass along with Norm's original percussion track http://alonetone.com/norm/tracks/7th-son. The only effects were a bit of attack shaping on the bass (compression w/o compressing).
I did this kind of oddly…
Lucy of the species Australopithecus looks into the distance of Awash Valley in what is now Ethiopia and feels the future of what can be.
Performed in Charles Lucy's 0b5s tuning
Another oldie as I work on other stuff. State of the art PC sound in 1991 was the Adlib card with one OPL2 FM synthesis chip w/o audio capability. Limiting as that was I still had a lot of fun with it. This is one example - I love that lo-fi…
Doom! Count me in!
(Ha! Had to laugh as the 7 sec. mark of this one has that "squeak" sound that I have previously misinterpreted in other songs as being a squeaky bass drum foot pedal... what do I know about computer generated music?)
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99
and this Klingon band is interesting...
http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
Comments on vaisvil's stuff
Very cool!
Sick! Worked for me I dug it. FAVED F A V E D
I'll always come by to listen to the music of Middle-Earth. Perfectly captured Elven voice sound! Oh... And make sure you get in touch with an Elf that still prefers to speak Quenya if you ever get the chance to record a real one (the high-Elven speech really is quite beautiful although the Sindarin tongue has it's own elegant flow). Very cool song (coming from this card-carrying Tolkien disciple). Well done!
Chris, pretty nice, nice deep mellow sound on the bass,,,,the voice is also pretty good, i think i like it better than that of symphonic instruments,,,but i have not found myself doing well, ever, when trying to work with solo voice,,, i enjoyed this R
Really like this.
I'm surprised the rhythm pattern holds up as well as it does being slowed down 5X - I like the reverb that you have added. Wild stuff!
For the prices Club Med charges, I had expected a somewhat happier sounding place!
i like the way the lead guitar notes blend, is this an effects pedal? (perhaps im showing my ignorance,, oh well) in fact it seems as if many notes are bent/blended in this piece,, very cool,,,, by the way, just for reference, which CM did you say ,, i enjoyed this a lot
rad
love the sound of the slowed percussion each beat seems to shake...sounds like musical devastation the twisted sounds in the silence after something major just happened...an earthquake or Tornado...with a man in a Pink Tuxedo running around crazed in the wreckage looking for his lost Bride.......
Wow...goin' OUT! Love it...T-rex meets Tom Waits for a beautifully gnarly blues-brawl.
loose...in the moment...in the zone. It takes me to another place...and I'm there.
Beautiful! Love that tuning!
Thanks Chris a wonderful escape into oblivion, your right it is like club med...arrrrrr relax...............
Most enjoyable bluesy collab. Cool vox from Reg.
Enjoyed the jazzy feel given by the sax. Super cool collab.
A really good song.
Nice Jam! One can almost imagine this all happening at one time
Pure and True, Awesome power through your finger tip's..and deeply deep... Makes me feel like I need to find myself somewhere that I've never ben...
Doom! Count me in! (Ha! Had to laugh as the 7 sec. mark of this one has that "squeak" sound that I have previously misinterpreted in other songs as being a squeaky bass drum foot pedal... what do I know about computer generated music?)
Comments made by vaisvil
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99 and this Klingon band is interesting... http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is an oddly compelling piece - its like an electroband kidnapped Weird Al to jam on accordion. The production clarity is excellent too.
I love the sound of this - beautiful!! What do the pedals do in a pedal steel guitar?
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!