Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
Hey man I always open to ideas! I tried it and I am really glad I did! I was in a space today thinking "yeah but..." And I try not to get into that mode. Even though I might not always agree with an idea...It does not make them wrong. I spent to much of my life as an...well...an a**hole..it's something I feel I can always improve on, and always try to better myself as a human being and this strange rock we call earth. Did I make myself sound intelligent? Ha ha :) glad you liked it man.
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
Norm has been teaching a master's class in percussion and gave me (a lot!!) of guidance to try to add bass properly to this. I added 5 string bass, Fender Mustang and GR-20 sax to his excellent Tumbao track. We hope you enjoy it.
My Life has Become
I have all of these memories
That come on back to me
I don't know what to do
I don't know what I should do with them
Out of nowhere they cover me...
Like a breaking beam of light
Like the star dust in the night
Like…
This piece is a digital remaster of a track done on 4-track cassette back in 1987 for the Modern Clones album.
Christ Killers
Take me in and We defy!
We destroy all life
We have no respect
We destroy all life
We are the Christ killers…
I bought a $50 Woods DW-15 acoustic dreadnought 12 note per octave guitar at Guitar Center, fret wire, and a fret saw.
After a couple days of work I made a usable 18 note per octave guitar.
Most of the details and lots of pictures are on my facebook…
East-West Choir went on sale and I received and installed my copy yesterday. So this is a quick improvisation for ImprovFriday. Boys choir, double bass, tuba, celesta, bass drum, timpani and electronics.
I bought a $50 Woods DW-15 acoustic dreadnought 12 note per octave guitar at Guitar Center, fret wire, and a fret saw.
After a couple days of work I made a usable 18 note per octave guitar.
Most of the details and lots of pictures are on my facebook…
East-West Choir went on sale and I received and installed my copy yesterday. So this is a quick improvisation for ImprovFriday. Boys choir, double bass, tuba, celesta, bass drum, timpani and electronics.
East-West Choir went on sale and I received and installed my copy yesterday. So this is a quick improvisation for ImprovFriday. Boys choir, double bass, tuba, celesta, bass drum, timpani and electronics.
East-West Choir went on sale and I received and installed my copy yesterday. So this is a quick improvisation for ImprovFriday. Boys choir, double bass, tuba, celesta, bass drum, timpani and electronics.
East-West Choir went on sale and I received and installed my copy yesterday. So this is a quick improvisation for ImprovFriday. Boys choir, double bass, tuba, celesta, bass drum, timpani and electronics.
East-West Choir went on sale and I received and installed my copy yesterday. So this is a quick improvisation for ImprovFriday. Boys choir, double bass, tuba, celesta, bass drum, timpani and electronics.
Year: 1983
Album:
Home Movies
Artist's description:
Music Concrete
This was recorded/performed in 1983
I used reel-to-reel and cassette and LP records and a HP-85 with 16k of ram, custom HP 8bit CPU @ 0.613MHz, running a BASIC program I made…
Year: 1983
Album:
Home Movies
Artist's description:
Music Concrete
This was recorded/performed in 1983
I used reel-to-reel and cassette and LP records and a HP-85 with 16k of ram, custom HP 8bit CPU @ 0.613MHz, running a BASIC program I made…
improvisation with pianoteq and hollywood strings
I am feeling like all of my improvisations sound the same again. I probably need to devote even more time to scoring - and building instruments.
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
cool twist to this track Chris, the sax sounds great here.
very nice,, very smooth
Hey man I always open to ideas! I tried it and I am really glad I did! I was in a space today thinking "yeah but..." And I try not to get into that mode. Even though I might not always agree with an idea...It does not make them wrong. I spent to much of my life as an...well...an a**hole..it's something I feel I can always improve on, and always try to better myself as a human being and this strange rock we call earth. Did I make myself sound intelligent? Ha ha :) glad you liked it man.
Good stuff man, following the time perfect with the music. Sounds like a soundtrack for a summer drive. :)
Bass directly on the ponche (2+), right where it belongs! Well done Chris!
Great vocal great sound ....excellent Chris...must of missed this first time round by norms comment ..pleased I got it this time
Great one, vaisvil!
Great melody like the lyrics
Awesome...dig the redo quality.
Oh, I found that quite exhilarating, fair brought a flush to my cheeks!
Very tastefully done Chris, it all fits beautifully.
This is way hip, Chris.
i like the improve sounds you kick in with the choirs at 2:00....nice!
Great sounds!
Wicked , very , very nice track , sounds so good
East west, cool stuff. hope i can pick one up some day.
lovely.......
Amazing... weird and amazing!
A sweet job ......no no ......NO.....NO...NOT THAT BUTTON!!!!!!!!!!!......................
Super Delight man!
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.