Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
This Prelude in 18ET comes from a challenge on the microtonal tuning list to write something in the whole tone scale that didn’t sound like Debussy or Satie. This prelude has decidedly Debussian whole tone passages. All 3 whole tone scales…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
I think I bit off more than I could actually chew this time and I apologize to Norm and Reg about that. This is a setting of verses from Contemporary English Bible Version of Daniel Chapter 6. I don’t think I orchestrated as much drama from…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Reminds me that one:
~
People think I'm insane because I am frowning all the time
All day long I think of things but nothing seems to satisfy
Think I'll lose my mind if I don't find something to pacify
Can you help me occupy my brain?
~
(BS, Para...)
()
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Chris this is great, very catchy and the best vocals and lyrics I've heard from you yet. The Casio sounds great and I can definitely hear a touch of Bryan Ferry. Good stuff! John.
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
wicked guitar
Excellent cave passage,,,micro-tonal
Ozzy Jr. Vaisvil
Sweet guitar licks
Cool sounds! Great crunchy percussion and ingenius clocky sounds. "Clocky"...yeah, I know what I mean! Ooh, sax!
Quite a departure! Vocal reminds me of Space and Elvis Costello! Great track!
Throbbin'!
It's a big story to tell in under 5 minutes... but I like what you have done and Reg's vox is great as usual.
Reminds me that one: ~ People think I'm insane because I am frowning all the time All day long I think of things but nothing seems to satisfy Think I'll lose my mind if I don't find something to pacify Can you help me occupy my brain? ~ (BS, Para...) ()
Frickin' AWESOME!! great lyrics...
Are you sure that's not you Ozzy?
nice sound,,,on a side note are there any particular synth choirs you like?
very good, nice arrangements,,
this is the shit, love the vocals and lyrics
hOLY HELL, no whiskey, and no smoke yet....but this sounds damn good. Bad ass man
Chris this is great, very catchy and the best vocals and lyrics I've heard from you yet. The Casio sounds great and I can definitely hear a touch of Bryan Ferry. Good stuff! John.
Nice rock out blast from the past! Ozzy? is that you?
One hell of a song Chris!!
Cool!
Very pretty angelic voices.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!