Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
This Prelude in 18ET comes from a challenge on the microtonal tuning list to write something in the whole tone scale that didn’t sound like Debussy or Satie. This prelude has decidedly Debussian whole tone passages. All 3 whole tone scales…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
I think I bit off more than I could actually chew this time and I apologize to Norm and Reg about that. This is a setting of verses from Contemporary English Bible Version of Daniel Chapter 6. I don’t think I orchestrated as much drama from…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Reminds me that one:
~
People think I'm insane because I am frowning all the time
All day long I think of things but nothing seems to satisfy
Think I'll lose my mind if I don't find something to pacify
Can you help me occupy my brain?
~
(BS, Para...)
()
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Chris this is great, very catchy and the best vocals and lyrics I've heard from you yet. The Casio sounds great and I can definitely hear a touch of Bryan Ferry. Good stuff! John.
Well, you are not going to often hear a 70′s metal piece from me. I have to plead affection for genre as it is what I grew up with in my garage band days. In this piece I put to use my stratocaster copy strung up with “Not Even Slinky…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
wicked guitar
Excellent cave passage,,,micro-tonal
Ozzy Jr. Vaisvil
Sweet guitar licks
Cool sounds! Great crunchy percussion and ingenius clocky sounds. "Clocky"...yeah, I know what I mean! Ooh, sax!
Quite a departure! Vocal reminds me of Space and Elvis Costello! Great track!
Throbbin'!
It's a big story to tell in under 5 minutes... but I like what you have done and Reg's vox is great as usual.
Reminds me that one: ~ People think I'm insane because I am frowning all the time All day long I think of things but nothing seems to satisfy Think I'll lose my mind if I don't find something to pacify Can you help me occupy my brain? ~ (BS, Para...) ()
Frickin' AWESOME!! great lyrics...
Are you sure that's not you Ozzy?
nice sound,,,on a side note are there any particular synth choirs you like?
very good, nice arrangements,,
this is the shit, love the vocals and lyrics
hOLY HELL, no whiskey, and no smoke yet....but this sounds damn good. Bad ass man
Chris this is great, very catchy and the best vocals and lyrics I've heard from you yet. The Casio sounds great and I can definitely hear a touch of Bryan Ferry. Good stuff! John.
Nice rock out blast from the past! Ozzy? is that you?
One hell of a song Chris!!
Cool!
Very pretty angelic voices.
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.