a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
Angels Missing Bill Sethares for simultaneous 12 equal guitar and faux voices in Sethares Neutral 10 tuning
More pieces from the survey can be found here: http://chrisvaisvil.com/?p=493
! E:\Cakewalk\scales\sethares-neutral10.scl
!
sethares…
I can't understand this or anything Bill Sethares did. But here's a link to some of his music (free downloads):
http://sethares.engr.wisc.edu/otherperson/all_mp3s.html
a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
a person is like a clock
when the hands don’t move anymore
and it doesn’t tick-tock anymore
then you are dead
but the clock is just broken
Sonar X1 recording + mastering
Norm Harris percussion track “Cabinets†See link for details…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Performed on Fender Mustang, Casio CZ-101 (keys, bass, percussion), vocal. Recorded via overdubbing on two cassette decks with 4 mono input radio shack mixer with radio shack 10 band graphic equalizer. Written in the years of Ronald Reagen's…
Love it, great vocal a kind of Brian Ferry, feel, and that 6o's vibe excellent we should form the mutual appreciation society. Enjoying it ............. and the solo Yeah!... have mentioned the melody...........
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
Well, you are taking me around the world today.
I'm in the Far East now!
of course, if Sister wasn't wearing my headphones, I would hear it better. But sounds wonderful anyway.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
I electrified my psaltery and played it in various ways in an tuning adjusted by ear. Probably some JI of some type then. I played along with some modified drum loops and ran it through effects of course.
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
here is a song from 72, by bread, that I always wanted to make a harder rock version of. an idea I have had since the early 70's. this was one of the rockin' songs by bread who did a lot of mellow love songs. there is something fun about turning…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
Comments on vaisvil's stuff
Ah this sounds great. I like the percussion too, sounds like a room of different clocks. Sax is it? Nice!
Cool tune, love the mix.
I can't understand this or anything Bill Sethares did. But here's a link to some of his music (free downloads): http://sethares.engr.wisc.edu/otherperson/all_mp3s.html
diggin the bass and the poem. sax is really good too
Great growling bass, excellent percussion love that vocal, the sax too, wow! all round good as Norm says "Now this works"
Crazy track man, it's right up my alley.
Whoa, full on track! Great sound!
Chris, that I believe, is your best vocal performance so far.
Love it, great vocal a kind of Brian Ferry, feel, and that 6o's vibe excellent we should form the mutual appreciation society. Enjoying it ............. and the solo Yeah!... have mentioned the melody...........
Rocking track great beat crazy synth and voices yeah
Woooo, agree with the warships thang! I'm on the argo! Rowing from Talos!!
fascinating from start to finish. i want some synths to have a play around. need a change
Yes - I love it. 'nuff said!
Great sound like a bootleg of a live Doors gig. Excellent
Well, you are taking me around the world today. I'm in the Far East now! of course, if Sister wasn't wearing my headphones, I would hear it better. But sounds wonderful anyway.
Am completely behind on my listens, but could hear Bethan playing this and had to know what it was - very compelling!
mid section took me off balance man! trippy guitars..right on!
like the low-fi intro...very sharp observation and tight percussion skills here.
Very cool experimental piece!
evoking
Comments made by vaisvil
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
has ORH rubbed off on you?
Thank you for the comments Kavin - I know I'd be happy listening to B read a phone book too! And this piece is simply magical!
I'm at 28+ minutes.... this is awesome!
Beautiful. Gosh I really love what you do with your rig.
don't step on the event horizon!
yeah this is a good song indeed.
15 edo
crazy stuff!
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
If by fuzzy wuzzy you mean touching my heart - well I had a crush on Cindy.
it is a vintage 1975 cassette recording with bad equipment - please listen to the spirit, not the reality.
this is great - there is a lot of playing with expectation in this. that is awesome work Bruce!