From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
From Wikipedia’s article on the Korean War:
UN aerial reconnaissance had difficulty sighting the Chinese PVA units in daytime, because their march and bivouac discipline minimized aerial detection. The PVA marched “dark-to-dark†(19:00…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Another routine Vaisvil piece. Oh, and by routine I mean:
Hang drums.
Ebow.
17 note octaves.
Fretless bass.
Outrageous prose that is difficult to logically follow.
Exploding fish.
Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it.
This is very mysterious - sounds like you are running you voice through the synth?
I said it so long ago:
"We don't know.
We might not ever, will we?"
I said it so long ago:
"We don't want to know.
Or do we?"
Suffocate, I want to suffocate
----
Sax by [Matt Nelson](https://www.mattnelsonsax.com). Mastered…
https://alonetone.com/vaisvil/tracks/not-all-who-wander-are-lost this is the song in the background linked thru here... --- I sing with the song (no lyrics in the song till here) these are the lyrics from the link above..
About "Not all…
taken this
https://soundcloud.com/h92o/for-chris-at-d-d
and chris's song here
https://alonetone.com/vaisvil/tracks/polyharp-ji-musings
and mixed them chopped up the long work by me as to not over extend the song.
This is an improvisation on the Barbara Charline Jordan's 1974 Statement on the Articles of Impeachment delivered to the House Judiciary Committee during the Richard M. Nixon impeachment proceedings. From Wikipedia, "Barbara Charline Jordan was…
Here is my contribution to the Minnesota Homebrew Radio Show Songwriting Challenge for April:
__________________________________________________________
Our SONGWRITING CHALLENGE for the April 25 show is to write a song that 1) is about the…
Comments on vaisvil's stuff
these low notes are very powerful, when they match the gong that is just,, wait did you put the gong thru effects as well?
Excellent work and as Norm says great story
interesting sounds!!
What a story!
fairdoos thats some fully mental shit. as such, loving it. :)
Another routine Vaisvil piece. Oh, and by routine I mean: Hang drums. Ebow. 17 note octaves. Fretless bass. Outrageous prose that is difficult to logically follow. Exploding fish.
F$%K it this is excellent
nice coming back to this...such a mind blowing goody man!
Wow.
indeed.....vibrant and smooth,, the sax is interesting and a bit coy... forget like,, I love it
A blast from the past. Still sounds great, Chris.
excellent, loving that bass and sax enjoying the whole piece and the beat wow!
Stirring and shaken. :) Great tribal beats (I imagine)!
A whole kaleidoscope of sound. Neato!!
Very interesting the possibilities with this 17 per octave division
very nice,, and much better than anything mickey or donald could pull off
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
excellent
Totally pro, Chris. Great, great work.
Fantastic stuff
Comments made by vaisvil
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.
beautiful!
The music is excellent in how strident it is.
reminds me of the minute man air corp of Massachusetts bringing down spitfires during the Boston Tea Party of 1812. Some tea - some party!
Great sounds in this!
excellent odd and menacing mood!
Its the only reason to have a day job!
I think the material from 2007 / 2008 resides on the server in a folder left from the old soonlabel forum. I didn't delete that folder so that the links would not break. But now a decade later perhaps I should just delete it. This is very mysterious - sounds like you are running you voice through the synth?
awesome production changes - I enjoy the constant evolution
Thanks Bill!
This is incredibly cinematic - excellent work !
Beautiful Ben!
lasers to a WWII Battle of Britain dog fight!
Excellent! Adds a nice ambient layering
great!
this is stunning
this is a marvelous transformation of guitar!!
I love this as well!
nice use of temsion and release - as Jim said - a movie score.
If this had more drive it would break the interwebs! Nice work!