A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
A serial improvisation in 12 equal setting Vachel Lindsay's 1931 reading of his poem "The Mysterious Cat" to musical accompaniment. Vachel Lindsay is considered the father of modern singing poetry, as he referred to it, in which verses are…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Progtastic!
Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies.
Great musicianship, awesome writing!
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
"High Life" is a musical genre that originated in Ghana in the 1900s and spread to Sierra Leone, Nigeria and other West African countries by 1920. My friends from that part of the world consider this be the "go-to" rhythm for just about anything…
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
This blues piece uses my Blue Just tuning system (1/1, 15/14, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1). For more on my tuning go to www.johnsmusic7.com
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
Voice & Text(je ne parle): Ivan1984
guitar(looking for a voice): Davy Hamburgers
making sense out of dis'ordre
making sense out of dat'ordre
feeling like a ghost tied
to a railway track
the screaming never stops
i am driven through
with…
Jqscutt had this guitar riff that he sent me and we worked out a song with bass, rhythm, lead and drums over the internet. I posted it for a collab for some key additions. This was added by TiS friends K-Lyd and Coruz. Later, they found Liam…
A slightly destructive children's song... But I suspect that many of you have tried some of the things mentioned.
I have a great idea up in my head
Let's try it out this afternoon
We'll tie the dog up to the sled
Pretend we're launching…
finding meaning in nothing new.
Mon Apr 7, 2008, 1:21 AM
Mood: Lazy
Listening to: "next other" 74:25 min song I wrote
Reading: spacetime bororo of brazil by S. M. Fabian
Watching: tracy like trails into the nite
Playing: Apophysis
Eating: brain…
There are times, moments, sounds, shadow falls that take us to and bring us back to magical times in our lives,,,Something in this piece by Johnny Mercer & Henry Mancini,, can pull me in so many different ways,,, it's always been a favorite…
Comments on vaisvil's stuff
well done,,, very pretty
What an interesting, if not somewhat sad, story about a poet I had never heard of. I love your bass work here.
reminds me of a mixture of such a variety of songs.
Very quite and nice...
/me smiles that wistful old man smile Good times.
Hi Vaisvil! this is simply awesome!!
Had a few listens on TIS....lots of green spice and awesome sense of musicianship with the fellows!! Love it!!
Great stuff
killer....loved every minute of it.
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
What a gem.
Progtastic! Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies. Great musicianship, awesome writing!
bad sound but cool music!
Beautiful!!
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
Powerful stuff indeed.
Very intense, love the hits at 4:10ish....
Uber dramatic! Thrilling, even!
Swings like a pendulum - love that sax break!
~good piano tune with blue temperament in mind~
Comments made by vaisvil
wild story!
excellent! I like the way the congas answer each other.
this is beautiful - I love the slide. Gosh I sound so amateurish compared to you guys (and Kirk, and Bethan, and Tess, and ..... I'm just wow'd .
I 2nd the request for a video. I'm assuming you are pushing the slide off the bridge toward the neck - correct? I've net ever heard of someone putting the slide on the picking hand before - but it sure sounds great!! Beautiful piece of work here Kirk!!
wow - this harkens back to the Beatniks with a motown funk vibe - that is so cool! - I love your voice Reg!!
would either of you have a rpoblem if I added to this?
excellent! The interplay between guitar and percussion is very good.
I notice "voip" - is this what caused SKYPE to crash? excellent!! brutal!
very funky! love the funky keys. what a story!
cool riff!
nice work - I didn't know you were posting pieces here until I saw your link on the JI list.
I *love* this - its excellent!!!
nice introspective piece!
excellent !
indeed very funky!
nice!
this is lovely! What a way to start my day - thank you!!!
if this is a result of that new program I think it is working!!!! :-)
ooooo this is good - a new direction too! I'm really liking this!
such lovely control of your two hands. I wish I could play like you.