When I hear you play like this, there is a big part of me that believes this world would be a better place if you threw everything on the fire and sat at your piano all day.
Your friends are very fortunate. Personally, I'm glad that I brought a basket large enough to hold this gem.
Thanks.
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
HYSTERIA
poem by: T.S. Eliot (1888-1965)
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps…
One of my fave ever AT tracks (for what it's worth). This is what this site is all about - a total gem, just given away for the fun, and the joy of it.
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
Ok, on the make micro music list tune smiths are challenging composers to write coherent music with their worst tunings imaginable. This is my result for one of the challenges.
This is an improvisational piece that uses a modified pianoteq…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
They left me home alone with my Fender Mustang and Marshall Amp. My cat ran away - and one of my ferrets stared at me for a full 30 seconds in disbelief and then decide telepathy was not going to make me turn down the volume. It isn't good…
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances.
The words by T. S. Elliot used:
(Orestes:)
You don’t see them, you don…
I really like this one chris....i downloaded it and have been jammin it in my car. It's a good "end of the day" listener....driving home....just after dark.
Percussion = Norm
Guitar = Rick
Vox = Emily
Bass = Chris
We started with this
http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick
which came from this
http://alonetone.com/norm/tracks/a-mile-with-sorrow
I hope you both…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
The complete "how to" article and online play back is on my blog http://chrisvaisvil.com/?p=404
Yesterday I was able to capture the Fractal Tune Smithy midi stream of an "on the fly" relay re-tuned performance in Sonar 8.5 by use of LoopBe1…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
This is definitely a thing of beauty. What a lucky friend. I agree with Norm Burn it all and sit and play the piano
When I hear you play like this, there is a big part of me that believes this world would be a better place if you threw everything on the fire and sat at your piano all day. Your friends are very fortunate. Personally, I'm glad that I brought a basket large enough to hold this gem. Thanks.
Pure Jimi Hendrix!
Very Alienated Amp raced guitar pullout sound, very raw! i like like!
Careful subtlety! Perfect!
One of my fave ever AT tracks (for what it's worth). This is what this site is all about - a total gem, just given away for the fun, and the joy of it.
Pretty cute and cuddly though. Plays a fair piano too!
"...so evil will befall them," said a witch named Alisia. She identified herself with one name — customary among Romania's witches. Love that.
This cooks. Your cat ran away to Romania to become a familiar.
Hey I used to have the same microkorg....nice piece vaisvil!!
...minimalista, baby!!
It's the soul-low as effective for red-tax and sailboats off the edge so we can melt the sun and wake Poseidon for the next fiscal year if you want?,, Maybe if you play the track backward the witches wood would break into new lifeless meanings of the way to go, somehow again. ??
very nice,, classic e guitar
ha ha, yes a fender mustang will have that effect on animals....
Was it only the cat that was alienated? what about the neighbors?. Nice jam by way it's nice to be alone now and again..
I really like this one chris....i downloaded it and have been jammin it in my car. It's a good "end of the day" listener....driving home....just after dark.
Brilliant collab all round.
I thought that was absolutely incredible. A masterpiece.
I like the 15th century feel. That's lovely.
Mmm, maximus harmonicus! Very pretty and effective.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!