Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

cool work Kavin! - I like the feedback especially!

This is great!

Nice one!

One of your best compositions. It’s a strangely compelling story with the protagonist worthy of a Darwin Award.

Quite like this! - has such a nice sense of space and clear timbre definition.

I really liked this - the female voice really hit home - nice jam! Is she the passerby?

got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!

lofi and exotic - what not to like?

Another great piece!

I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!

nice work Kavin!

This is a really nice composition!

sweet ambiance

This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !

Definitely true to the original - very excellent work!

You always come up with inventive ways to generate sound and I admire that - this is quite cool as it sounds underwater to me.

another brilliant DH-100 application!

such a foreboding piece - were you thinking about it being an election year here in the states?

Nice pocket between ambient, EDM and experimental electronic!

I enjoyed your performance very much!