Very strong vocal drive. this is totally awesome! I often say that about all your music. Keep em coming and burning!

love the narration, and the echo FX's of the tea in the garden bit. And harp too? excellent.

Impressive piece of work! Enjoyed that!

Nice work Chris and Emily!, so many great additions to the killer beat i am getting lost!

EXCELLENT Chris and Emily! Honored to be part of this collaboration.

Really love how this has developed!

Emilys voice is quite haunting in play with Ricks Guitar and Chris's Bass and the percussion goes with out saying is excellent. Good one

Beautiful job, Emily! I love it!

Nice additions. Very cool!

Like the soothing vocals, percussion by norm?,,,wow this good!

Cool song and istrumentation

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

WOW! Great sound and meaty lyrics, maestros!

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

nice spoken word piece and the music provides the perfect backdrop.

Great percussion as well arrryyehh yeehh yaaah

Enjoyed this immensely in fact so much so i started to laugh

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

What a vocal. Go for it Chris!

Nice guitar, vocal, lyrical work on this. The reason is the path of choices that define who we are - and yes it is inside.

Don't forget the original idea was Norbert at the piano!!

Great vocal interpretation! Thanks Reg!!

There ain't no one worth that.

yes! Nice gritty blues!

I don't hear anything amiss with your playing. Your vocals are as usual awesome.

speak up Norm I can't hear you!

the production is totally spot on - love the lyrics and music. I didn't know what the Angie Fights Crime project was about - I was missing out.

Enjoyed the music - great recording and song!

Desiree - I don't want to be just another notch on your lipstick case.

excellent!

nicely done! Naw she don't want me.

I'm just stunned at your Robert Plant voice in this. Wow.

maybe its for the best it didn't work out Reg.

Reg - you did awesome vocals on this!

rocks!! I gotta get to your cellar - but would your crowd throw stuff at me if I played microtonal blues?

Here, Ladies and Gentle, and Desiree too, is a man who has gone totally off the edge of reality and is in a basket with a case number...

I had missed this one! Cool!

rocks!

damn - the room is spinning!