song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
nope - those are chinese gongs - some just have natural phasing - I don't know how that works but there it is. Also, according to the gong samples I have you can get a large number of different sounds depending how they are struck. Heck, I forgot, Norm has a gong - a pretty big one too - I bet he could make you some custom gong samples if you'd like.
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
I did this in order to stretch it out about 20 times as long as it is and did just that but or should I say because I used a very low sample size for the sound I would get something similar to echo stretches just like a 2k size of sample in paulstretch…
RPM 2011 number 2. Inspired by an ex-friend of mine who had the most dazzling rose tinted glasses. Always used to envy the simplicity of his view and how nothing could ever get to him (everything gets to me).. since i knew him I know a lot of…
Outland (The Ballad of Jarrod X)
words and music by VIVIAN CIRCLE
Mother, why did you lie to me?
I didn't have to make the same mistakes as you.
Father, why did you run away?
There was so many things left unspoken with you.
Jarrod walks…
Chris sent me this great tune playing his 17 ET guitar and fretless bass, and for some reason i thought Mafia instantly. Sammy the Bull was the under-boss to John Gotti back in the 80's and 90's and he turned informer to bring John Gotti down…
Comments on vaisvil's stuff
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
This reminds me of the material of yours on that radio programme a while back. Most intriguing and clever stuff.
very beautiful!! Love it!
Movie material!
Brilliant composition!
Priceless tones and a bit drunk indeed, i like the sounds your pulling out of the GR-20!
interesting,,,
Drunken tones!
Wild tones.
Am finding your tunings project fascinating - and must say I really like the feel you have captured here. Beautiful piece!
Sounds kind of Christmassy - like the choir voice.
excellent
Comments made by vaisvil
this is lovely contemplative and serene.
My Debbie is very picky and loves this piece! She says "its sounds very pretty!"
this is lovely - sounds Anthony Phillips
nope - those are chinese gongs - some just have natural phasing - I don't know how that works but there it is. Also, according to the gong samples I have you can get a large number of different sounds depending how they are struck. Heck, I forgot, Norm has a gong - a pretty big one too - I bet he could make you some custom gong samples if you'd like.
this one is less defined some how
ooo 0:16 - like the electric guitar feedback sound! you are getting a lot of great textures!
some Janis Joplin or Joe Cocker vocals would really finish this one off!
the video gives the impression of galactic nebula super imposed on visceral human organic residues - this is a really unique video Bill.
much more effective with the video and stretch! this looks so cool!!
I love The Lamb - this is great!
love the slide!
great campfire tune!
what is that opening lead instrument? it is so strong! I love your vocals.
it is such a sad sounding piece.
nice easy listening piece - very rich!
who cannot love a track with a name like this? Awesome mind-messing tremolo.
damn you sound like Joe Cocker now! This is great all the way around. - Been behind - I had not heard the original - or I don't remember it
I use pianoteq mostly. Your piece is very beautiful.
indeed - you brought this baby to life!! Bravo Reg!
you two are Mr Funk!!