A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
Numbers stations (or number stations) are shortwave radio stations of uncertain origin. They generally broadcast artificially generated voices reading streams of numbers, words, letters (sometimes using a spelling alphabet), tunes or Morse code…
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
This is an orchestral piece composed in 13 note subset of 31 notes per octave called “Orwellâ€. The purpose of this piece was to study polyphonic voice leading in a microtonal context. It was realized via Sonar 8.5 and Garritan Personal Orchestra…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
This reminds me of the material of yours on that radio programme a while back. Most intriguing and clever stuff.
very beautiful!! Love it!
Movie material!
Brilliant composition!
Priceless tones and a bit drunk indeed, i like the sounds your pulling out of the GR-20!
interesting,,,
Drunken tones!
Wild tones.
Am finding your tunings project fascinating - and must say I really like the feel you have captured here. Beautiful piece!
Sounds kind of Christmassy - like the choir voice.
excellent
Beautiful!
Sweet.
I've used recordings of numbers stations in my own music. I think I'm attracted by the way the content is apparently random and yet deliberate. Some nice menace and dark overtones in this piece, very enjoyable.
a very beautiful story,, as told on the keyboard,, well done
It's what Dracula would listen to on he's down time...Nice!
Sleep? We can all sleep in our graves, but for now I hope you keep jamming! Lots of potential with this one!
Excellent music, concept and production. Well done!
Agree with Kirk - emotive in its delicate fragility.
That's really quite beautiful in it's own strange way. Compelling stuff!
Comments made by vaisvil
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!