Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
Vaisvil (whoever you are!), if you ask Regs, he will quickly tell you that just because I left him doesn't mean he left me. And I still think about him once in awhile. Maybe I'll give him another call someday...
Way to be. This could be Fripp ... I think he would like this.. excellent... Touches.. when I saw the songs image above I was like this is not looking good but it is really good.. and the image totally through me off..
I took the audio of Fumble by Roger Sundström and Cast by Jim Goodin and noche dia los muertos by Kävin Allenson and not now at all 2 by Bill NewBold and using melodyne changed each into a single line midi file and combined the 4 midi lines…
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
I found that depending on the preset the korg is set to and with controlling the korg with supernova II midi controls is awesome in that I can hear something change when I move a knob on the supernova ii but --- recording that and putting it into a different midi system is not like active changes in real time but or control between different systems is so cool have you tried that with kontact and the prophet?
it is great stuff.. === 10:10 the voice unidentified and yet ominous with the bending sounds ... that is what it is .. -19:30 is a neat neat sound besides the conversations going on. at 20:51 it stopped ? so I downloaded it ... and was able to get it to play again the feed just stopped? IDK but I could pick up where it stopped...
This has an interesting, kind of uneasy, but relaxing dissonance to it. Reminds me of something I can't quite put my finger on, but I like it. Like a dreamy castle from some videogame or something.
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
this is great!!! I love the jazz / spaces blues vibe. The harmony leads are seriously impressive! How'd did you make your fretless? I recently made one myself - amazing how low the action is now.
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
This is probably the last of this stuff from the archives that I'll upload. Rescued from a cassette tape of a live performance with former band mates in Scartaglen. These tunes are popular down in the Southwest of Ireland. Michael(Fiddle) and…
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
Ten Years After cover performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Cool high-energy take w/ plenty of guitar solos. Decent…
This is the first of two demo's I made to consolidate my ideas about an album that I am working on for the Clinical Archives netlabel. The piece is fully improvised.
I am recording two albums for Clinical Archives, the first is to be released…
Comments on vaisvil's stuff
Frippishly Beautiful
Listening to this I can hear the C version that is in the drum beat.. there was so much in the C version that I was floored from the start,..now I am hearing the parts of C that I couldn’t focus on ,.. I think C is the best version but I am really glad you posted these too.
Really great,.. in the stranger type of music...oh excellent wow ...it’s tuning seems so profound, it’s the tuning maybe? That’s causing the strangeness to it,. That Just has a. Sideways effectiveness to it..
such a large sound it is starting with === nicely mixed.
Vaisvil (whoever you are!), if you ask Regs, he will quickly tell you that just because I left him doesn't mean he left me. And I still think about him once in awhile. Maybe I'll give him another call someday...
no less then intense ---!!
Way to be. This could be Fripp ... I think he would like this.. excellent... Touches.. when I saw the songs image above I was like this is not looking good but it is really good.. and the image totally through me off..
Chris thanks for including me and doing this. Sounds like Bela Lagosi off the top then drifts into echo's of Samuel Barber in places and very sophisticated orchestral. Great Job!
awaw
aw
nice work with the knob twirls .. :) that would be a lot of what I did too.. :)
I found that depending on the preset the korg is set to and with controlling the korg with supernova II midi controls is awesome in that I can hear something change when I move a knob on the supernova ii but --- recording that and putting it into a different midi system is not like active changes in real time but or control between different systems is so cool have you tried that with kontact and the prophet?
WOW amazing sounds.
this is great.. --- wow really intense mix here.
it is great stuff.. === 10:10 the voice unidentified and yet ominous with the bending sounds ... that is what it is .. -19:30 is a neat neat sound besides the conversations going on. at 20:51 it stopped ? so I downloaded it ... and was able to get it to play again the feed just stopped? IDK but I could pick up where it stopped...
great work here..
Last be the name and the tonal altering, backward at times.
so mellow I enjoyed this
ok was that a physical change to your voice or by electrons the higher chipmunk like voice?
This has an interesting, kind of uneasy, but relaxing dissonance to it. Reminds me of something I can't quite put my finger on, but I like it. Like a dreamy castle from some videogame or something.
Comments made by vaisvil
this is great!!! I love the jazz / spaces blues vibe. The harmony leads are seriously impressive! How'd did you make your fretless? I recently made one myself - amazing how low the action is now.
Excellent!!
rock n roll!!!
very cool track!
alright!!! great work as usual!!
oh yes this is lovely.
excellent!
I think I like this one the best out of the bunch - especially during the choir.
crazy trip through a negative universe!
truly wild excesses of sound!
I really like this!!
this is ok - I must admit I'd like to hear this with some shuffling percussion and a bass line to paste it together - and bring out that lead instrument a bit more. Its always dangerous to compose someone else's piece - so forgive me if the idea sounds ludicrous.
Great composition!
excellent!
excellent!! I love this kind of music!
Is It For You solo: that is simply a MXR distortion+ and my Fender Mustang with Bartolini pickups - a touch of reverb in Cakewalk Pro Audio. This was recorded in 2000. Thanks for the listen and comment!
very spooky indeed! nice composition
great!
most excellent sir!! most excellent!
love it!