For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
For improv friday
This is part 2 - see Keys at Lowes for an explanation of what I'm trying to do.
Ok, another try using base frequencies of 0.1, 3, 10, 17, 33 and 48 Hz spread in stereo space plus some of the original mixed in. (additional…
This is right up my street, you're really getting some fabulous timbres out of this. I tried the improvFriday site a couple of weeks ago but really had no idea what I was doing.
For improv friday
I did an experiment using Paul's Extreme Stretch harmonics function and Audacity.
I took a raw field recording (included here field recording http://notonlymusic.com/board/download/file.php?id=1187 ) and ran it through…
I don't use autotune either, though collaborators have been known to serlap some on me. Very rude. :-)
This is very pretty...and I can't see where you'd need tuning. Lovely, intimate vocal.
Author: clones () at unix,mime
Date: 7/27/97 12:49 PM
Priority: Normal
TO: weso (weso@) at unix,mime
TO: darrell m. senneke at chicago,eptggas
TO: djm21 (djm21@) at unix,mime
TO: ekharri (ekharri@) at unix,mime
TO: hifi (hifi@) at unix,mime…
Author: clones () at unix,mime
Date: 7/27/97 12:49 PM
Priority: Normal
TO: weso (weso@) at unix,mime
TO: darrell m. senneke at chicago,eptggas
TO: djm21 (djm21@) at unix,mime
TO: ekharri (ekharri@) at unix,mime
TO: hifi (hifi@) at unix,mime…
Reg was sat below the cliff having a sneaky smoke and he couldn't believe what he was witnessing ......I recorded the acoustic with the mic then added bass then a bit of piano and string then the tele then I decided what the subject would be and…
A Richard Serra memorial performance by the tribe inside the Serra sculpture Vortex at the Fort Worth Modern Art Museum. A passerby provided some vocals.
Inspiration was seeing Kavin Allenson's pictures from his jam in the Fort Worth sculpture Vortex. I wasn't going to do in Pure Data but I opened PD to setup a base structure of oscillators to use to tune one of my modules. I got a stuck note…
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
from the album "FULL MINGO"
vocals Ash Reynolds
mastering Dave Storms
pain in my heart
it's probably nothing
song in my head
it's time to say something
living this life
it's got to be all
the time
chasing the dream
and i'm always…
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Billy wanted a project for the 2023 Christmas holidays and asked some of his extremely talented musician friends to play on this track.
Matt Smith: Guitars & backing vocals
Paul Matthews: Pianos & organ
Naomi Daulby: Lead & backing…
Punny title to hint at the sound origin; the sounds left on a reel of tape (or in this case, two different ones) after it has undergone a bulk-erase procedure - placing it on a device that creates a strong electromagnetic field that scrambles…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
Comments on vaisvil's stuff
This sounds like it could be a lost song from "The Cooler" soundtrack. I dig it!
i wonder where you recorded this sample, really smooth and atmospheric!
hefty piano work. lovely.
I'm always learning from you. Thanks man.
Beautiful... Non-dominant 7ths or otherwise.
Lovely improv!
nice piano improvisation I love it!
This is right up my street, you're really getting some fabulous timbres out of this. I tried the improvFriday site a couple of weeks ago but really had no idea what I was doing.
Arthur C. Clarke once wrote "Any sufficiently advanced technology is indistinguishable from magic". This was truly magical my friend :)
Mellow.
Glad you liked Holy Wind. Had to work on my bass for a few days...things had gone awry.
indeed, you don't need autotune at all ;)
Oh, deliciously offbeat! You always surprise me!
Mystical and beautiful.
very poignant - could/should be in a film
Ahh, very tenderly sung and played. Why would you need autotune anyway?
Woah, improvisation!? Awesome!!!
I don't use autotune either, though collaborators have been known to serlap some on me. Very rude. :-) This is very pretty...and I can't see where you'd need tuning. Lovely, intimate vocal.
psychedelic vid man. voodoo metal turns me on........
Heavy as Hell!
Comments made by vaisvil
This is great!
Nice one!
One of your best compositions. It’s a strangely compelling story with the protagonist worthy of a Darwin Award.
Quite like this! - has such a nice sense of space and clear timbre definition.
I really liked this - the female voice really hit home - nice jam! Is she the passerby?
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
lofi and exotic - what not to like?
Another great piece!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
nice work Kavin!
This is a really nice composition!
sweet ambiance
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Definitely true to the original - very excellent work!
You always come up with inventive ways to generate sound and I admire that - this is quite cool as it sounds underwater to me.
another brilliant DH-100 application!
such a foreboding piece - were you thinking about it being an election year here in the states?
Nice pocket between ambient, EDM and experimental electronic!
I enjoyed your performance very much!
This is the most unique use of a DH-100 that I know of!