This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Norm's percussions were very inspiring, and your playing blends in so smoothly, a delicious piece, very creative, with lots of images from Sahrzad palace..
this hit me as simply beautiful, first time i've heard it back at tis. and it hasn't changed a bit, since then. the marriage of the flute and the guitar is so moving..
AT could not accept the full upload so....
Download
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Content
Continued Chris Vaisvil radio interview…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
AT could not accept the full upload so....
Download
http://notonlymusic.com/board/download/file.php?id=815
online play
http://notonlymusic.com/board/viewtopic.php?f=12&t=410&p=2861#p2861
Content
Continued Chris Vaisvil radio interview…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
AT could not accept the full upload so....
Download
http://notonlymusic.com/board/download/file.php?id=815
online play
http://notonlymusic.com/board/viewtopic.php?f=12&t=410&p=2861#p2861
Content
Continued Chris Vaisvil radio interview…
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places...
Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
so cool, thank you!
I do love oriental sounding music. This is quite dreamy and very nicely done.
Excellent.
Fascinating sounds!
haunting.
Norm's percussions were very inspiring, and your playing blends in so smoothly, a delicious piece, very creative, with lots of images from Sahrzad palace..
this hit me as simply beautiful, first time i've heard it back at tis. and it hasn't changed a bit, since then. the marriage of the flute and the guitar is so moving..
Fantastic song.
really takes on an Flyodish feel ( animals?) around 130
I like the Moody Blues sounding wind on this. Very cool.
Ha ha, you got it in and we get the juicey details.
Awesome production.
Ah, that's cool!
less is more! Beautiful
This is absolutely BEAUTIFUL! w;-)
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
Very cool!
Excellent! It's great to hear you back on the keys - I've missed it.
Slinks along wonderfully!
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places... Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?