Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Vaisvil's response to my question was enlightening: wild stuff!
"well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time.
So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
Is that live guitar or keys>? yet another good example of the cool variety of music you create, this almost sound like it could be a prelude to something bigger...
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
this is totally impressive Lalo. Wow. What a piece of music! And emotional. Lovely work my friend!!! 18 minutes of constantly changing music - no that is difficult to do!!
Quite by accident I was listening to Chris Vaisvil's time stretched piece and had the improvFriday player going at the same time. It was like that chocolate and peanut butter thing, you know? So here is Chris' Out of My Body used as a backdrop…
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Comments on vaisvil's stuff
Very cool.
Delicate and serene. Beauty indeed.
A masculine piece with an oriental flavour. Most interesting and different.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
You actually tune the Fender Mustang to the Sorog tuning, right?
really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played
Whew! That's a dandy production right there. Some great changes and that piano is sterling.
I still love it.
Wow, this is...wow.
My goodness, this is tremendous. The sheer scale and talent has me floored. Fantastic!
A great listen - Perfect buildup and rush.
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
Quite a trip. Very Nice!
Awesome. Illegal Alien Autopsy
Cool composition - like the last 15 seconds especially.
Oooo, like it! w;-)
Is that live guitar or keys>? yet another good example of the cool variety of music you create, this almost sound like it could be a prelude to something bigger...
it's very good!
Comments made by vaisvil
this is totally impressive Lalo. Wow. What a piece of music! And emotional. Lovely work my friend!!! 18 minutes of constantly changing music - no that is difficult to do!!
nice!
weirdly interesting !
which worm hole did you pass through? this is truly spacey material.
excellent! and hello fellow ebower!
a favorite song - excellent choice! interesting take on the song.
Does this have binaural beating? Very cool and unusual piece!
this is lovely! how did you realize this one? beautiful floating sound.
this really weird - practicing skeet shooting at a crick match?
nice - an odd juxtaposition - the first part sort of jumps arouns and the 2nd part sounds like a dark basement you shouldn't enter...
Its bad form to fav something with your own work - nonetheless I like what you've done here!!
I like this alot! Nice sound and space!
I like this! Is this then playing back a single phrase multiple ways?
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.