Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
Vaisvil's response to my question was enlightening: wild stuff!
"well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time.
So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
Hi - thought I'd throw up an older piece today while I have time (doing work at the new house later). This is an improvisation with my Fender Mustang / Roland GR-20 combination retuned on the fly to 9 notes per octave "Sorog" tuning. I think…
really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played
This is a microtonal Jazz-ish piece produced with some newly developed techniques.
Norm Harris provides the excellent percussion. I probably could have made it easier on myself by not being so chromatic… but there it is.
The piano, bass…
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
Is that live guitar or keys>? yet another good example of the cool variety of music you create, this almost sound like it could be a prelude to something bigger...
This is was originally for piano and is a fair assessment of my piano playing abilities in 1977 and was written in that year.
The original piano version can be had here
http://notonlymusic.com/board/download/file.php?id=528
or listen to it…
This is a recording from my i phone off my back deck at home in Mill Valley tonight. Everyone howls at 8 pm for 1 minute in solidarity for the healthcare providers during this pandemic with COVID 19. its been going on for over 2 weeks now…
Ukulele and vocals performed by Jazz, 12.
She's starting to write her own stuff (proud!) but just to get her in the studio for the first time, here is a cover of a song by Vance Joy.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
Comments on vaisvil's stuff
Very cool.
Delicate and serene. Beauty indeed.
A masculine piece with an oriental flavour. Most interesting and different.
Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.
So when you are playing this song on the Fender Mustang, you are hearing it in Sorog tuning, right? But the note that you are playing on the guitar is changed to another pitch by the Roland, so you must have the headset plugged into the Roland output, right?
Vaisvil's response to my question was enlightening: wild stuff! "well, no actually, it is the Roland GR-20 that gets re-tuned. Performing in many tunings with acoustic instruments is problematic and while I've seen a few attempts none of them I could afford. One could de-fret and re-fret a guitar but not only is it time consuming you then have either many guitars or a commitment to one tuning for a good space of time. So.. long story short - musical electronics are making microtonal music practical. Of course this is purely from a western perspective - other cultures have been performing microtonal music for millennial. Or, as a Turkish composer told me - the west is the real microtonal music because its the compromise compared to other cultures."
You actually tune the Fender Mustang to the Sorog tuning, right?
really very beautiful, and rich sounding, a lot of cool musical thoughts making a tapestry of sound,,, very nice,, the percussion underlying this is very interesting... i will be looking to see you guys on a movie track in the future well played
Whew! That's a dandy production right there. Some great changes and that piano is sterling.
I still love it.
Wow, this is...wow.
My goodness, this is tremendous. The sheer scale and talent has me floored. Fantastic!
A great listen - Perfect buildup and rush.
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
Quite a trip. Very Nice!
Awesome. Illegal Alien Autopsy
Cool composition - like the last 15 seconds especially.
Oooo, like it! w;-)
Is that live guitar or keys>? yet another good example of the cool variety of music you create, this almost sound like it could be a prelude to something bigger...
it's very good!
Comments made by vaisvil
certainly Clapton has nothing on you!
this is great!
There is something compelling about your calm reflective pieces like this :-)
every cat has at least one... its were the 9 lives are stored...
enjoyed!
Nice sample! You gotta put it in a tune!
This is great!
great performance!
I like this one a great deal. The sections are more defined than usual And I like the character of each. I too listened several times.
Cool sounding!
amazing work!
really good composition with excellent production. I heard sounds coming from beyond my monitors - phase shifting?
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds