Hi again,,, i hope you realize that i used simple as a complement,,,many of the best compositions (Bach aside) are based on extremely simple motifs, and then explored (Beethoven comes to mind) that piece was simple,, and at the same time beautiful and interesting (not always true of simple stuff) the gift is to be able to be simple and yet still be sublime, or interesting, or dramatic, or any number of cool things at the same time,,, you have that gift,, often and over and over i hear such cool stuff coming out of your music,,, for me being able to be simple and yet wonderful at the same time is about the highest achievement a musician can be,, ,, anyway i enjoy you music very much Richard

Electrifying 4 way collab. Real cool. Great mix GMO.

Yeah! very nice.

This one hasn't played for me in days. I keep trying though. Insanity I guess.

this piece is just getting better and better, each time i listen - must have been quite an interesting talk you had with the big guy..

I've always found that talking to God involves much more listening then talking. And listening to this is a pleasure, as my ear matures to appreciate micro-tonal work. And, I suspect, you will miss the view from the undisclosed location.

nice Chris,,, drifting quietly through a simple theme can be a lot of fun yes?? i enjoyed this (and simple is a complement, from my stand point, it's always what i try to aspire to) well done R

Awesome.

very beautiful

funkadelic! awesome!!

Breathe in.... and hold! Very cool.

excellent!!!!!!!!!!!!!!! great sound/balance/instrumentation .. this could easily be a movie track,,, should you be so inclined very smooth and professional (which comes as no surprise) well done

nice quartet collab, - nice mix GMO. funky feel too

sooooo kool funky as shiat! A littttle bit clustered at times but doope

Ahem. It's a "Quartet in Space" only because actually physically putting these 5 guys in the same room would simply not be safe, but you can be certain it would sound fantastic.

You + a self-modified fretless guitar + a universe of microtonal possibilities = we’re never going to get you off of that thing! Brilliant! Bold move! I can’t wait to hear some more of this.

Very cool stuff! Now I can't decide if I should have another go at the fretless or just give up and sell it!

all it"s "missing" is the brass section eh! :p so you managed to microtune it with couple hours, nice job! - oh and is there any genre you're not versed into?

The first? Great stuff, go for it. Sounds like the score to a street cop movie.

You're right, funky is the word! Really clever, makes me smile.

nicely done~!

interesting ! What is your set up? It sounds as if you were recorded in a hall.

I especially like parts I and II - nice work!!

boy, are you ever going through a creative period - everything is sounding top notch - I love the percussion + ambiance style here. World electro?

interesting aggressive minimal electro

nice themes!

Sam sounds like one of the Indigo Girls :-) Very nice song everyone!

this is very good - like the solid vocal harmonies and leads.

this is one inventive piece! what a mix - are you sure you didn't grow up south of I-10 in Louisiana? You have that Cajun blues thing down and who'd expect you could get oboe and bassoon to work so well with it! wow.

This is a great tune - I love the percussion and the deep deep sounds.

Yes, as a matter of practicality one performs with volume greater than the actual Fender (headphones to the GR-20, amplification of the Roland GR-20 ) - although I have mixed the "normal" and "new" tunings together and in some cases that sounds nice and fairly unique.

nicely done - sounds a bit floydish. Introspective Roger Waters.

all of the compositions are wonderful - I feel emotion from your work.

this is a very nice progression against a pedal point and exposition. I agree the room acoustics are really great - it sounds great!!

very classical period sounding.

well.... tell your wife you'll build her a new addition if she lets you keep this room as is :-) nice - the sound is so surprisingly robust and resonate in tone.

wow - this is complicated!! and cool!

Hi, The Suicide is programmed actually and uses Kontakt sounds. I have a large number of manuscripts which I created in college and shortly after (before 90's no computer program I had could let me score reasonably). In this case, The Suicide, was scored at an upright piano and I could play it at the time. Its really easy to play.

wonderful!! So this is in part classical guitar? If so great tone!

bizarrely the opening bass riff sounds like the theme to green acres - a usa 60's sitcom.