This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
Wooooooooooooooooooooooooooooo, over the top and off the chart (what ever that means), this music creates a wonderful feeling,, it walks in beauty as the Navajo might say
(my apologizes to any real such persons,, i am currently on a tony hillerman kick)
well done friends R
this is an amazing work,, a standout (at least my opinion) amonst your many many fine pieces...
as Alister says it is well balanced,, and oh so interesting,, the fade in and out of the guitar and ? is very very brilliant, it really pulls you in,,, well well done R
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece Norm and I collaborated on last year. We hope you will enjoy it.
two improvised 12 string guitar lines
bass line ( I took a few takes)
improvised piano
Norm's percussion in Tumbao rhythm
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Firstly, love the rhythm, tinkling and the music.
Gets the old hips unashamedly swaying.
Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
Improvisation is what I love, finding out about things (when there is a little time).
I also post the video where I have used it in. Hedgehogs were here last year in our garden, and now they start coming back from hibernation. Uk, the hedgehog…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
Fisherman and the Siren by Lord Frederic Leighton
This is a blues collaboration between The TwoRegs (vocals / lyrics) and Norm Harris (percussion) and myself (17 note per octave electric guitar and fretless bass).
We hope you enjoy it…
I had missed this one when it was first put up by Chris Vaisvil and Norm (Still waiting) i heard it today for the first time and it struck a chord so i asked Chris if i could add some words and being the generous man he is, he said yes. So i set…
about Winter Nacht
each year for the past 4 RPM cycles,, i have known a friend or loved one who has passed away... throughout history winter has been a time when sickness and death creep a little stronger amongst us..... perhaps because of these…
At a recent charity event held in my small town's train museum, I was admiring a massive brass train bell when the curator walked up to me. I commented that a bell would really rather be heard then seen, and he agreed. I offered to digitally record…
A 7/8 improvisation on a set of 3 Bata drums, accented with afucha, tube shekere and cowbell.
The number 7 is a symbol for perfection or completeness: 7 colors in a rainbow, 7 musical notes in a scale, 7 days = a week, etc.
In Cuba, the…
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
Reg has been over to Songcrafters.org on the other side and found this little beauty a piece of music by Willi Wendon and he loved it so much he's put a vocal to it. Hope you like it Willie..........
IT'S A CRAZY WORLD
It’s a crazy world…
Elvis has been around Reg too long and he has started drinking to forget his new lady.........
Chug that Train
ooh i got to feeling lonely
Since you left me cold
oooh I’m feeling pretty lonely
Now i’m back on my own
Why don’t…
Reg's little homage to Elizabeth Taylor who passed away today, the piano is a little dodgy and the lyrics and the singing in parts as i'm following my dodgy playing, it will have to be revisited but i thought i'd share anyway as i would forget…
Reg's little homage to Elizabeth Taylor who passed away today, the piano is a little dodgy and the lyrics and the singing in parts as i'm following my dodgy playing, it will have to be revisited but i thought i'd share anyway as i would forget…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
Reg threw Norms 7th son in the Cellar tonight and it wasn't long before young Johny Cash had jumped all over it.................
Daddy didn’t love his 7th son
I was born when the storm really started rising
When the ships crashed the rocks…
Comments on vaisvil's stuff
Neat-o!
so nice.. feels like a gentle summer breeze! and another great collab..
Wooooooooooooooooooooooooooooo, over the top and off the chart (what ever that means), this music creates a wonderful feeling,, it walks in beauty as the Navajo might say (my apologizes to any real such persons,, i am currently on a tony hillerman kick) well done friends R
this is an amazing work,, a standout (at least my opinion) amonst your many many fine pieces... as Alister says it is well balanced,, and oh so interesting,, the fade in and out of the guitar and ? is very very brilliant, it really pulls you in,,, well well done R
very good work and sound
excellent.. it goes in so many directions and yet so well balanced all the way! great collab'!
Still beautiful!
Beautiful!
verry nice love the guitar
Wow... REALLY nice!
beautiful
Still fresh!
very nice,, that sequence is a transcendental equation no?,, very cool,, you never cease to amaze me
VERY COOL! w;-)
Puts The A In Avante Garde!
great sounds,, fun piece
it simply sounds so authentic.. and this part, at 01'00", is brilliant!
Excellent! The percussion is just perfect.
Firstly, love the rhythm, tinkling and the music. Gets the old hips unashamedly swaying. Secondly, fabulous pictures, looks like paradise to me for several reasons, I hope it stays like that.
Dancing to this! Wishing I had a jewel in my navel!!!!!
Comments made by vaisvil
*astonished*
Damn.... Elvis IS in the building~!
Man I just *love* your voice. The music and mood is great - but you have a great voice. Bummer on the injury.
lovely improvisation!
yeah - the vocalists get all of the groupies.
good point - Reg?
you certainly did this one justice - lovely!
exquisite! The choral entrance is set up extremely well.
cool cover!!
this is what I'm talk about!! Rocking! So did your hands hurt hitting the metal?
nice work Richard!
Norm I really like it! Is there anyway I could you into sending me the TUBS for the main beat? I want to plagiarize it for a marimba part.
awesome! You are unleashing your inner Sonny Landreth!
whoa! The gong sounds HUGE!
excellent work - sad, sad blues.
wow you nail Elvis so well.
and I 2nd what Norm said - you have an amazing tonal control over your voice.
lovely
this just excellent - the production has great clarity too!
this is an excellent collaboration!