This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
This is a piece that uses MOTU Ethno 2. All but percussion and voice were performed my Fender Mustang and midi recorded via Roland GR-20. The piece uses the Almak tuning included in Ethno 2. [Amlak recurrent sequence (x^2 = x + 1/3), as a matrix…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
Artist's description:
This is all in kontakt 4 and is scored for
hang drums
andean flute
choir
timpani
various percussion
Contributors:
a 17 edo version is here
http://notonlymusic.com/board/download/file.php?id=363
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
a simple seventies type performance core piece vocal, guitars, bass, and lots of lovely drums!
and a few effects just for the thrill
Contributors:
Din who composed the drum track despite incredible odds against that ever occurring since…
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
My performance on video (see "more") at the odd music convergence with words by Evan Harrington and myself.
Details are available here: http://chrisvaisvil.com/?p=68
The full quality 230 meg video is available here: http://clones.soonlabel…
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
Year: 2008
Album:
Singles
Artist's description:
Many years ago a brave soul uploaded several recordings of his sister's recital to a newsgroup I created for amateur musicians. I asked for, and he gave, permission to use the recordings. Well…
Year: 1999
Album:
Alien Air
Artist's description:
Why I write the music I do
Contributors:
Evan, Kristin, Carol, 3 stooges
modplug tracker
home made guitar samples and Casio CZ-101 samples
"real bass" sample
drums from... somewhere
long ago when there was a "guitar electric" in my presence I recorded this and edited it in cubase, back when I used cubase, old and somehow interesting?
She's left, your drunk and on the floor not able to see a future, your friend is trying to help, your not listening, he obviously doesn't understand you need the drink..........
This is a song i always wanted to have a go at and it wasn't until Johnny let me have a go on his representation of it i got my chance. Thanks Johnny for letting me have a go, may you rest in peace............
Combined two separate segments from the performance for this remix. I'm posting live recordings on Soundcloud now. To hear the rest of the set go here and bookmark:
http://soundcloud.com/breaking-light/sets/no-audience-breaking-light-live
consider this a microcosm of the final work that might just happen ,, yes a complete Klingon Orchestrated Opera :) (feeling shameful that it was Chris's idea first.) (this is a mire raw example of an outproduced work.>
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99
and this Klingon band is interesting...
http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is a mono/nonstereo track because my fourtrack recorded decided that mono is better then stereo but at least the dang thing works ,, I guess,, From now on it is direct records from the outside machine to the computer not thru the fourtrack…
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard.
This piece is crazy! How'd you do the drums?
As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that)
If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
very similar to the 'more of this a' but part 2
btw the video for todays' computer music work is getting uploaded now. all 25 min 25 sec and 25 frames there of.
1/1/11; took bits from two of Mark's tracks from Pleasure Listening (2002) and improvised in Max with them, then mixed in DP. a mellow vibe for the new year.
This song is not for everyone but I like it because its a live recording with a single instrument using infinity delay FX. (I turned on the loop delay at :09 after the guitar was flat on the floor.)
All the sounds are made with an acoustic bass…
I didn't like the 1st version so i changed it so here it is. imagine Sitting in the forest listening to the breeze being free and wanting to follow it..........................
Performed live by Rainbowtruth @ Irish Brigade Fredricksburg, VA circa late 1990's.
Barnett: Guitar/lead vocal
Osborne: Drums/back-up vocal
Duff: Guitar
Bowers: Bass
Slightly more aggressive than the original. Cool high-energy take w…
Comments on vaisvil's stuff
FNG!!!
COOL!!
very cool, good work
Cool tuning. I've never heard anything like it. Nice work Debbie! The percussion is just perfect for this. The left channel "swampy" guitar towards the end rules!
been humming the main motif all morning long.. - and i thought, some vocals would be great on this, something of Tom Waits, or CharlElie Couture..
Ooo eerie stuff, beautifully done.
Lovely ethereal sounds here - definitely sensing some magic.
never heard of ethopian scales..heard of gypsy, japanese, mixolydian, lydian, ect. This is yet another interesting creation from you.
post-punk-a-delic! loved the vocal first time i've heard this one; hasn't changed since then!
Mustang and MXR, now that's what I like to hear.
Damn, that's awesome man. Rockin tune...
Complex and cool.
ahh, yes, very tempted! JRR
very cool.... is that a subway escalator?
A classic. Post the lyrics! Perhaps you can convince Din to post a few things on AT... his percussion & mix mastering really are world class.
so cool and fun
ensnaring! and oddly, i "prefer" the audio-only version. not that the video harms it in anyway, really not, but i find the piece more intense, when only focusing on sounds.
this is full pint listen,,, at times i feel like im in a sf flick and at others perhaps on the ocean floor... the music is cool in that it can make one feel on the scale of vast galaxies or on the micro scale of bacteria or atoms,, very interesting ,, as usual R
great...bring on the desecration... thank you for the comment on my song...
so cool and fun!
Comments made by vaisvil
enjoyed!
that is one effected guitar!!
nice!! Would you consider doing a collaboration?
you do a good Morrison!
very strange!
very cool. What gear do you use?
well - actually - there *was* a Klingon opera which is where I got the title. http://en.wikipedia.org/wiki/%E2%80%99u%E2%80%99 and this Klingon band is interesting... http://en.wikipedia.org/wiki/Stovokor_%28band%29
this is an oddly compelling piece - its like an electroband kidnapped Weird Al to jam on accordion. The production clarity is excellent too.
I love the sound of this - beautiful!! What do the pedals do in a pedal steel guitar?
if you use something as a midi controller there are a few VSTi software microtonal synthesizers that are free which makes it easier. Savihost - and other VSTi hosting software let you play microtonally - all you have to keep track of is how the extra (or less) notes translate to the normal keyboard. This piece is crazy! How'd you do the drums? As for mono/stereo - what you need is either a Y-cable with 1/4 male to 1/8 stereo (or collection of pieces that do that) If you are still using Sonar I guess its lets of an issue - just record multiple tracks.
I watched the whole video - I take it what was happening is that you layered video of you layering the sound? Very disorientating and interesting.
this is intense!! more microkorg?
this is a fantastic trip!
your soul is motown~!
alright!! new keys!!! This sounds excellent!
haha! this is great!!
right up my alley - awesome work my friend!
sounds..... Hungarian!
enjoyed!!
one of my favorite songs covered with power and great taste!!