nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato?
anyway well done Richard
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Reg was sat below the cliff having a sneaky smoke and he couldn't believe what he was witnessing ......I recorded the acoustic with the mic then added bass then a bit of piano and string then the tele then I decided what the subject would be and…
A Richard Serra memorial performance by the tribe inside the Serra sculpture Vortex at the Fort Worth Modern Art Museum. A passerby provided some vocals.
Inspiration was seeing Kavin Allenson's pictures from his jam in the Fort Worth sculpture Vortex. I wasn't going to do in Pure Data but I opened PD to setup a base structure of oscillators to use to tune one of my modules. I got a stuck note…
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
from the album "FULL MINGO"
vocals Ash Reynolds
mastering Dave Storms
pain in my heart
it's probably nothing
song in my head
it's time to say something
living this life
it's got to be all
the time
chasing the dream
and i'm always…
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Billy wanted a project for the 2023 Christmas holidays and asked some of his extremely talented musician friends to play on this track.
Matt Smith: Guitars & backing vocals
Paul Matthews: Pianos & organ
Naomi Daulby: Lead & backing…
Punny title to hint at the sound origin; the sounds left on a reel of tape (or in this case, two different ones) after it has undergone a bulk-erase procedure - placing it on a device that creates a strong electromagnetic field that scrambles…
Four different tracks of Roland SE-02 controlled via MIDI by a Casio DH-100. Choosing different voices on the Casio causes settings to change on the Roland, which were then tweaked a little. Submitted to Sound-In "Roleplay Improv" for 1-8/2/2024.
Three different versions of a similar line created using the onboard sequencer on a Roland SE-02. the different voices were created by changing settings on a Casio DH-100 digital horn attached via MIDI, and playing the horn. Submitted to Sound…
Comments on vaisvil's stuff
wow, cool track I like this one.. still pondering just how deep the variety of your stuff is. . Is there a genre yet unturned?????
Excellent arrangement mate the mix sounds good to me. This is a great piece any one who is into piano should do this one. Brilliant.
very very well done!
nice,,, i like this,, where did you get the tin synth? i play a bit of the whistle myself, but i have not seen such a synth,,, do they feature different types like clark and susato? anyway well done Richard
That's it- I'm buying a bottle of Jack Daniels later today!
Raunchy.
so ahhhhhh are you a usc fan or just a fan of? anyway.....this is smooookin,,,, if this is what whiskey does for one,,, i'll have to go find myself some.... i guess only being a beer imbiber explains my own sounds..... well played/sounded?
very hot and cool!
:)
ummm, ummm...I love this track! Excellent work! w;-)
I agree with ACL
One of the most beautiful pieces of music EVER written. Wonderful arrangement. w;-)
sweet
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Sounds lovely, very nicely done!
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
The low brass captures the mood of the piece perfectly. Nice interplay between the voices. Well done!
Nice Job Fella! I'll have to check out that link that you sent me. Thanks.
Wonderful job! It all sounds very realistic to me!
This is a frosty little piece, I like the blend and instrument choices
Comments made by vaisvil
This is great!
Nice one!
One of your best compositions. It’s a strangely compelling story with the protagonist worthy of a Darwin Award.
Quite like this! - has such a nice sense of space and clear timbre definition.
I really liked this - the female voice really hit home - nice jam! Is she the passerby?
got to listen to this today - it is excellent - I like how you layered and peeled back the layers to close. I a big fan of happy accidents and I'm glad you found this one!
lofi and exotic - what not to like?
Another great piece!
I like the development in this. Nice work - you always pull out the unexpected from the synths you work with regardless of the format. I would not have guessed this to be Animoog!
nice work Kavin!
This is a really nice composition!
sweet ambiance
This is interesting - there is this hint of Debussy in the chords and melodies (especially in the first half) but they come across in an Ivesian fashion - as though through shattered glass. Thank you for another fantastic piece !
Definitely true to the original - very excellent work!
You always come up with inventive ways to generate sound and I admire that - this is quite cool as it sounds underwater to me.
another brilliant DH-100 application!
such a foreboding piece - were you thinking about it being an election year here in the states?
Nice pocket between ambient, EDM and experimental electronic!
I enjoyed your performance very much!
This is the most unique use of a DH-100 that I know of!