I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
Visit www.2camels.com to read the more about body painting.
This is a jazz fusion piece featuring my Fender Mustang, Guitar Rig 4, GR-20, Session Drummer 3, and the following soft synths ARP2600, Absynth 5, Dimension Pro.
I hope you find…
i was trying to work on a piece for a shark video of mine, but this is what came out instead,, my piano moments collections are the small musical threads that emerge amongst/while i am working/thinking about other things,,,
Oh yet another nostalgic blast from the past. I found this unbelievable backing track surfing the web some years ago. I usually never use backing tracks because they usually suck bad . But this one is like having mitch and noel at your side. I…
I was finally able to finish this one up over this past week. Like always I am never satisfied but I have come to a point where I just tell myself enuff is enuff and move on to the next song...pheww! Hopefully it sounds good on everyone elses…
yes, I found a midi file and applied my samples and a bit of editing and re-tuning to it. It must of taken forever to put this into a computer. http://www.classicalarchives.com/midi.html
Pretty whores and fat queers
make bicycle parts in a factory
not far from here, and it
doesn't make a difference
if its weird or if its strange
just superficial words
from a long gone age
and I couldn't hold a candle to them
and I wouldn't…
most any comments I get are on facebook these days and occasionally my blog.
This video is really raw and weird!! I like it!
Is the audio post a stretch of the video post?
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Not sure where I was going with this, but it ended up quite dreary for what I thought were quite motivating lyrics.
Watch this space, it may well appear again with more upbeat music.
Lyrics:
I choose the light to drive away the darkness
Choose…
Garn/Landry (And I barely deserve any credit for this one at all)
A while back, Jim recorded a rough version of this song, and upon listening to it, I was thrown back to a day from my youth. While vacationing in Vermont, a small twister throwing…
this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
still raining so the £16 special came out.......
Around & Around (Lyrics)
Now you are my lady and i’ll never understand why you had to runaround with that other man
you know you’d send me crazy you know that i’m not sound when you leave me…
Comments on vaisvil's stuff
I agree with ACL
One of the most beautiful pieces of music EVER written. Wonderful arrangement. w;-)
sweet
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Sounds lovely, very nicely done!
well done friend,,, it's wonderful piece, and your orchestration it very interesting,,, some questions (and i'll make these as public, in case anyone else is interested in the tech aspects) did you have a digital piano score,, or working from printed manuscript first or perhaps you already know this memorized and broke it out from that? about how long did this process take??? It's a cool thought/work,,, and though i have not done this myself ,, yet,, it looks like a lot of fun.... once again well done,, i am constantly amazed at your creative/musical talents... Richard
The low brass captures the mood of the piece perfectly. Nice interplay between the voices. Well done!
Nice Job Fella! I'll have to check out that link that you sent me. Thanks.
Wonderful job! It all sounds very realistic to me!
This is a frosty little piece, I like the blend and instrument choices
very nice
Cool beans! Love the guitar work here...
Lovely, gentle sounds.
Great synth sounds!
well done I like it.
very cool,,,, and very nice team work
Ha! More like panting than voice. :p
Woah, deep sounds!
Very cool!!! Was the sax, pad, sequences done on the GR-20?
AWESOME COLLAB! Hearing that real sax in there makes me wanna pick my alto back up. Is that pic of 9/11?
Comments made by vaisvil
Hi Richard, no I didn't stay up for that. I was too busy playing with my soft synths :-) This is a beautiful piece.
You Eric's son? Awesome!
such a *big* sound! this is excellent!
Very funky indeed!
This is quite awesome, by far the best tune from that album and performed extremely well here!
love it!
yes, I found a midi file and applied my samples and a bit of editing and re-tuning to it. It must of taken forever to put this into a computer. http://www.classicalarchives.com/midi.html
nice!
most any comments I get are on facebook these days and occasionally my blog. This video is really raw and weird!! I like it! Is the audio post a stretch of the video post?
and your grapics are stunning!
delicious!
nicely done! Love the vocal harmonies!
Thanks for listening. It is a 12 tet steel string acoustic guitar harmonically filtered with D 36.8 Hz as the root. So I'd say its harmonic series.
oh vocal harmonies to die for....
excellent!!
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Desiree is back? Awesome tune!
excellent doodle!
Santana!!
I may try to add to this. Nice of you to offer that to all of us.