A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
impressions
4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes
7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?)
9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there?
14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed
17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed..
overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
A re-mastered version using Norm Harris' excellent percussion
serial improvisation with
korg ms 2000
cameleon 5000
rapture LE
z3ta+
And Norm's percussion room
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
From last February...
I'm not sure where I'm going - its late - I'm tired so I may be out of my mind.
several absynths
pianoteq heavily modified
session 3 drums through guitar rig
stratocastor through guitar rig
vocoded voice via korg ms2000…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
this is a collaboration with my old guitarist chris vaisvil with whom we are celebrating being in our first band 40 yrs ago.
chris does the 12 string guitar and the lead guitar at the end. i am doing the bass, keys, drums and vox. i wrote the…
An exercise in dissecting a well known song to see what makes it tick. Drums are looped, bass is not in tune, guitar is not quite right, but I'm slowly getting there. Will update this later. Somewhen...
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
Recorded for the 2013 [NaSoAlMo challenge.](http://www.nasoalmo.org/)
---
You're livin' hard
And I understand
You have my word
I won't make demands
There's a feelin'
I got about you
And we'll soon find out
If the feelin's true…
dedicated to our "cold hearted orb that rules the night",, bassoon and french horn exchange glances with one another, cross a web of strings with a little timpani,in for the flavor,,, i have been trying to figure a bassoon into my work, so here…
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
a small quiet piece for a Sunday evening,, all four string sections are present here,, violin, viola,cello and contrabass,,it's kind of fun to try to mix, and pass the various themes around,,
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal)
The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
A shorter, stripped down version of a drone piece I submitted for the ongoing Fukushima Drones project, which you will find here:
http://auralfilms.bandcamp.com/album/fukushima-drones
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
This is an invitation, with instructions, on how any AT musician can hop a train in the US and get to my house for a jam session. Figured the lyrics needed to mention all 3 of the collaborating musicians home towns cuz they all run along these…
What with all the great Zep covers posted by Tworegs and Chris Vaisvil, here's mine, I enlisted the vocal of the man himself, thanks Reg! Also note my new fretless strat as second guitar here.
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!
Comments on vaisvil's stuff
just went into this one after listening to Nebula, quite a change up, good creepy feel stays with you
impressions 4 min in -- i am feeling/discovering a hugely large sound scape, plenty of places to get lost in ones thoughts amongst the notes 7 Min in --very expansive (what syth is this?, are you creating the long drawn out notes on a keyboard?) 9 min in --- (not being used to writing this style myself) what sort of land marks, for timing, expression are you using/feeling when you do this? how will you know when you get there? 14 min and 1 beer into the work -- still keeps my interest, but i do wonder where we are headed 17 min --- this is definitely a track to listen to, not background ,, i begin to see where we might be headed.. overall interesting,,, i enjoyed this,,,as i have noticed of late you have a lot of multi interests/talents... lots for me to think about thanks R
Great beat mate nice one great mix. Thanks for your recent comments mate. This is a great track mate dig it.
Beam me up Scotty! BEAUTIFUL! w;-)
Whoa! That's menacing. Real cool gentlemen. Some wild sounds.
EXCELLENT! w;-)
This is...wow! A theme song for my favorite sky object.
Immense!
Outstanding nightmare! I would suggest the gentle listener doesn't get tucked in with this one unless they want to stare at the ceiling for awhile before they finally get to sleep.
Mmmmm ... absynth
Ooh, only a few minutes in but this is completely a stargazing soundtrack! And loving the space theme.
love the picture too.
This is so lovely.
Hypnotic!
that was very nice
nice, i enjoyed listening
Very cool effect, great piece. Also, thanks for the process explanation, interesting.
AhHH- A good dose of sonic violence. I needed this this morning! Very cool!
intense and edgy
Whoa! Raise the MF ruf!
Comments made by vaisvil
Thanks Brett - I'm just being a session man here - Frank is seriously rocking this out!
nicely done - you should get Reg to sing on your version.
Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!
Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.
Now to return the favor - thanks for listening and commenting.
Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/
gosh this is like music from the other side of the veil of the multi-universe!
I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
Can I make a request - The Wizard by Sabbath?
nice job on this!
Lovely orchestral piece!
This is a beautiful piece!!
Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)
a very intense drone - I like the solo guitar work a lot.
and I love this song!
thanks for the comment.
Awesome! I love your fretless work!
love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php
Thank you for the comments. I don't often comment here anymore but I do want to answer your Rhodes question. I believe Ben uses a Yamaha Motif. The clarinets are real. I'd love to hear your new age version of Stairway - that would be grand!