Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
so did you know when I googled that statement in the comment I got a book... all that we hold dear.. I am sure you knew that.. . such pleasantry here in these sounds and music as this song is.
This is an extremely interesting piece, since microtonal music is still a bit of a mystery to me, though i play some turkish and persian pieces. Well-played too!
Another one rebuilt after my freak SD card initialization fiasco. The excellent solo work was done by my buddy Gnasty - I love it!
This is the second part of a two part song. I'll get the other part up next hopefully.
Badass Solos: Gnasty…
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
Comments on vaisvil's stuff
Tony Iommi jamming? Very dark
Reminds me of the last movement of Conic Sections "King Pimento", which pissed off two thirds of Liberian nationals when first performed. Keep Stompin' til the Music Stops!
Excellent...
interesting,,and nice
indeed quite intense... very rich in sound and texture.....lots of emotional space here,, very well done indeed!
Great full sound
Cool.... Sneaky little Grinch
Nice and bright sound, great echo.
Nice version. Simple and pure
very good... the repeating beat works well. never heard you do something like this.
Has an almost Sitar like quality....very unique sound.
Very cool.
I love how this one turns and twists... tells a wonderful story without needing words.
Wow! This is epic! Very cool!!!!
nice. very Popol Vuh! -Kavin.
loving it Chris
so did you know when I googled that statement in the comment I got a book... all that we hold dear.. I am sure you knew that.. . such pleasantry here in these sounds and music as this song is.
This hits the spot! Well done!
Mellow good stuff. Mesmerizing!
This is an extremely interesting piece, since microtonal music is still a bit of a mystery to me, though i play some turkish and persian pieces. Well-played too!
Comments made by vaisvil
very atmospheric - I like your touch Bruce!
nice trip!
very cool! I've not heard Arabic music a capella before! excellent!
great!!!
thank you for flying united :-)
nice work! I like your voice a lot.
Nice - I like the calm.
funky electro - strange sounds from another dimension - nicely done!!
excellent!
I like the vocals and song writing here. A bit post-Beatlesque
Is this Paul's extreme stretch? Nice work!
hey a George tribute would not be a bad thing! This is great version!! Excellent collaboration!
what I did was play two tracks of violin with a viola bow and 1 track of fretless guitar bowed with the viola bow and finger picked with your track. I then noise reduced the takes and sliced them into appropriate loops - with the two styles of playing fretless separate into 4 channels of Sonar's Matrix view. Then I wanted more time so I took your track and reversed it and tacked it onto the end. After that I set up matrix view with the loops and effects into 4 audio channels. (guitar rig, dblue glitch, lexicon reverb, cakewalk amp sim absynth 5 effects and camel space) Some of the clips got effects as well. I then performed matrix view live against your track + reversed track. This left the clips in the audio track - some of those I randomly reversed the audio here and there. Then I mastered and uploaded. One other thing I did to you track was impose a volume envelope and then put a compressor on top - those two things kinda fight it out.
I liked this quartet a lot - better than No. 4. Melodically it just appealed.
yes! this is great Lalo!
love the effects in here.
excellent - sounds like dreamtime. I love it.
I like your guitar work here - especially past 2:10 - an improvisation?
nope - not heard of robert wyatt - or the music of soft machine for that matter that I can remember.
like the harmony vocals a lot!