Angelos Quetzacoatl composed this piece and then we performed it on video for your enjoyment during a recent visit. Angelos plays fretless guitar and I play fretless bass in 24 edo (quartertones).
score is here: http://chrisvaisvil.com/?p=1959
My kids no nail jelly to the wall... I'm sure Of it when I'm try to scrub it off. .. Love the vocal kinda got a touch of early Grace slick about it sand the guitar sounds great very psychedelic
Pretty cool.
You know, I can only guess...
It sure has a twangy resonance, though.
Well, also, I saw some stuff on Sonic Youth where they were talking about designing tunes around one crappy instrument, because it was the only way they could get it to play.
Just sayin'. But, you know I like stuff like this. Like listening to fan overtones, it seems like. Pretty neat.
an impression for processed sound, brass and percussion in adaptive just intonation is a piece inspired by the first successful test of a large scale stellarator fusion reactor. Click on the graphic for more information. NOTE: this piece has a…
Runway Lights (in 128) was the solo I performed at Wake Forest University in Winston-Salem North Carolina on the 26th of September 2015. The recording you hear is from the University mics. The title is actually a misnomer – a mistake on my…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
That's some heavy-duty office intrigue. Dig the backwards guitar.
Charming use of spoken word, very nice
It's a WOW tune. Cool shit.
We thank you Reg!
My kids no nail jelly to the wall... I'm sure Of it when I'm try to scrub it off. .. Love the vocal kinda got a touch of early Grace slick about it sand the guitar sounds great very psychedelic
We thank you Brett Warren!
K, I'm gonna comment on this twice. This is like straight outta prog-era Eno.
Holy crap, this is the weirdest thing I've heard in a long time. Bravo, sir.
Great
Sad News.....
I can see this being sampled but i do like it for what it is as well.
Liking this work as it is more different then anything I have heard you do.. a pleasantry indeed.
Pretty cool. You know, I can only guess... It sure has a twangy resonance, though. Well, also, I saw some stuff on Sonic Youth where they were talking about designing tunes around one crappy instrument, because it was the only way they could get it to play. Just sayin'. But, you know I like stuff like this. Like listening to fan overtones, it seems like. Pretty neat.
Nice textures!
Wow, I love your perspective.
Yikes and WOW!
Heady project, Big big big!
Nice great sound
*Mission Accomplished!* This makes the hair raise on the back of my neck!
Bravo!!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!