The realtors always disliked showing the old Victorian house on Layton Way. It gave them a creepy, clammy feeling. Especially in the basement where mad whispers and the sound of metal working off in the distance could sometimes be almost heard…
The music is quite fitting in consideration of the description of the house for which this sound file is named -- and I love it! I enjoy a creepy, haunting recording when handled with taste and mix down mastery, as evident here. Truly enjoyed every spooky second, especially when the voice came in!
This is a little piece dedicated to the lost world island of Socotra that grabs a lot of instrumentation from across Asia with little discrimination - the melodic instruments use Afshari with the exception of the Jaw harps which use 9-tET Sorog.
This is an improvisation around a few chords I found when experimenting with two simultaneous tunings on my Fender Mustang run through the GR-20 retuned to Arabic 17 note Pythagorean tuning and also as-is through my DoD FX-7
The way this…
We forgot to mention that Reg visited Norm's place a little later and added some vocals. The video is a ride through the US state of Virginia. The Texas Tavern serves cheesy westerns (cheese, fried egg, burger, bun) in the downtown of Roanoke Va.
Reverie by Claude Debussy arranged for piano, violins, and violas.
Reverie may refer to:
A daydream
A dreamy state of mind.
reverie, an instrumental composition of a vague and dreamy character
“Rêverie”, a solo piano piece by Claude Debussy
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
The music is quite fitting in consideration of the description of the house for which this sound file is named -- and I love it! I enjoy a creepy, haunting recording when handled with taste and mix down mastery, as evident here. Truly enjoyed every spooky second, especially when the voice came in!
Interesting -- intriguing, actually. Dark, bitter, thorny. I stayed tuned all 7 1/2 minutes, and I come back for another hearing -- it's captivating.
The Monks are loose.....
Loving this too....
Loving this one Chris.....perfect as I'm sat sorting photographs from yet another wedding not mine I might add....
Snoopy visits the Middle East!
A nice Celtic feel.
Very peaceful and interesting.
I like how you separate the pieces on 1:28 and add/take bouncy sounds. great!
Looking through i found this one i'd forgotten all about....we should get the gang back and do some more
That's a unique scale the lead guitar is wielding about! What a psychedelic, groovy, tripping number. Keep grooving!
Alert me when it's finished.
Loved it
so very intense I like this very much..
Yeah, sounds kind of lonely! I nominate Trev! Cheers Bee
Sounds quite exciting so far. Cheers Bee
Surreal! That was fun. The music gave Lewis's scene the right flavor!
I love that!!You can make me a gorgeous backing track if you like! Just saying! Cheers Bee :)
That's the voice that used to read my bedtime stories...and this one was a favourite. Thanks for capturing a very happy memory, guys. x
Oh, Chris, Understandably spooky! A really sympathetic musical addition. Perfect! Cheers Bee
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.