Really pretty Chris. I agree with Richard, discord is something I find uncomfortable, but hey here it works. I was sorry when it ended, so here goes again. Cheers Bee
wow Chris,, sometimes i feel like we live in such different lands.....this is really nice,, it grates on me,, but then again i suppose it's supposed too? your use of dissadense (sorry i cant spell)is intreaging (again i can't spell),, tell me are there minor and majors in this type of tuning? there's something in this that says major key, it has a brightness that i associate with major,,, regardless of the dissadance.. anyhow nice r
No offense..... In Fact, John would've said, I don't give a s**t, you are playing one of songs ..... I think!?!?! 'till the money men get's involved ....
Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
"Turn! Turn! Turn! (to Everything There Is a Season)", often abbreviated to "Turn! Turn! Turn!", is a song written by Pete Seeger in the late 1950s. The lyrics were adapted almost entirely from verses in the Book of Ecclesiastes, set to music…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
it is quite grand and majestically poignant - I think it is the tone or tuneless like workings that cause the sadness...
fair play then mate, its a decent tune all the same :)
True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.
its a good song, i like the lyrics. It sounds like singing in a lower octave would have done you a few favours tho
Really pretty Chris. I agree with Richard, discord is something I find uncomfortable, but hey here it works. I was sorry when it ended, so here goes again. Cheers Bee
wow Chris,, sometimes i feel like we live in such different lands.....this is really nice,, it grates on me,, but then again i suppose it's supposed too? your use of dissadense (sorry i cant spell)is intreaging (again i can't spell),, tell me are there minor and majors in this type of tuning? there's something in this that says major key, it has a brightness that i associate with major,,, regardless of the dissadance.. anyhow nice r
No offense..... In Fact, John would've said, I don't give a s**t, you are playing one of songs ..... I think!?!?! 'till the money men get's involved ....
Rock on!
Love this song!
I've heard many covers of this one but never on piano, this is lovely. Well done.
I've always loved this song - not sure why, though... I don't actually really "like" it! lol This is a fine version. Nice one.
One of my faves.
Actually, like beautiful, chiming bells!
Hi Chris, Yes, I think it does too. I really like the harmonies or ics. You see, you are far too clever for me. Cheers Bee
Really like the overlapping vox harmonies here. Bass just right too
Nice and relaxing Chris. A pleasure of a listen. Cheers Bee
Wow! That was a trip and a half! marvelously put together. The swishing sound in the background there reminds me of the foetal heart. Cheers Bee
Enjoyed that.
Like it. Don't know the original, but I like this.
Good one Chris.....
Comments made by vaisvil
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?