Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
Dustin Shallert said ” I didn’t invent it – I think it’s called “Oodako”, but I did call attention to it as a local minimum among multi-mos scales as seen in the above picture.” This is a mode of 33 equal and Scott Thompson kindly alerted me…
"Turn! Turn! Turn! (to Everything There Is a Season)", often abbreviated to "Turn! Turn! Turn!", is a song written by Pete Seeger in the late 1950s. The lyrics were adapted almost entirely from verses in the Book of Ecclesiastes, set to music…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
"Tether"
Whatever it was, is wasn't manumission
To spill the blood, to pull the weed
You can bury the past, but it's a mausoleum
With the ghost of a fist that won't let us be
Can we bring it together,
Can we call from the mountain to the valley…
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
Well, I play this in Fokker 7-limit Just Intonation on the piano and I didn't attempt to try to sing as high as Robert. So that makes the vocals hard to nail right there. And I played it over many times the past 3 days and my voice got worn out…
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it?
I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
Poetry, a Cubist’s View is a “mash” of Benjamin Smith’s Ben.improv.Jul.16.2013 on electric piano and a combination of Paul Mimlitsch’s bass clarinet and soprano clarinet improvisations: “71913bcimpx1?, “71913scimpx1?, and “71913scimpx2?. I added…
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
One of my faves.
Actually, like beautiful, chiming bells!
Hi Chris, Yes, I think it does too. I really like the harmonies or ics. You see, you are far too clever for me. Cheers Bee
Really like the overlapping vox harmonies here. Bass just right too
Nice and relaxing Chris. A pleasure of a listen. Cheers Bee
Wow! That was a trip and a half! marvelously put together. The swishing sound in the background there reminds me of the foetal heart. Cheers Bee
Enjoyed that.
Like it. Don't know the original, but I like this.
Good one Chris.....
Nice ......now here comes the rain
Beautiful
and these types of music, can resolve sometimes easier then at first thought, well done here.
Good one.
Awe, that's lovely Chris! Good title! Bethan
Woo!! brave man taking this on with just acoustic and vocal. Hats off to you, sir. Nice one, like it.
I like your vocal Chris don't be so hard on yourself....ienjoyed.....
Full and exciting Chris. I thought it would be marvellous as a soundtrack for a film of the book Animal Farm. Not what you intended I'm sure! Cheers Bee
I heard this on the radio just the other day. ;) Sorry, I jest. Nice piano tone. Is it a real Rhodes or synthesized?
Nobody can follow Plant, especially on this one, so why even try? I ought to dare my local classic rock station to play this version and tell them I'll stop listening if they won't do it. Heh heh. That'll fix 'em, won't it? I dig the improv at the end; it makes me think that perhaps I should do my own "New Age" style cover of Stairway. Hmmm.
that's rather nice vais, a bubble & squeak of free jazz
Comments made by vaisvil
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.