more from that band
Moe - drums
Frank - bass
Chris - guitar
Cover of "Just Want to Make Love to You"
Cover of "A National Acrobat"
Cover of "Snowblind"
Disbeliever, an original that I don't think saw public performance.
my brain on my ex - originates from 1996 - details below.
Dulled
What can I tell you?
I hold nothing inside
My brain aches from lack of....
Direction
I am shriveling up inside
Having not one thing to express
And my feelings are dulled…
Trapped in Dreams is a dark ambient microtonal piece for processed alto voice, processed bowed cymbals, processed bowed china cymbals, processed bowed DIY electric cello reference http://chrisvaisvil.com/?p=3156
composed by Marji Gere
violin Marji Gere
kalimba Dan Sedgwick
vocal Ryan Stickney
fipple pipe Elizabeth Adams
The video below is the "official" video for the July concert from which this performance is taken. The larger August concert video…
pretty cool,, reminds me a bit of Vince G. (the fellow who did cast your fate to the wind and the Charlie Brown sound tracks) there's a nice whole feeling to this r
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
This is an transcription of a piano improvisation I did with Andrew Heathwaite’s 12 of 31 edo meantone MODMOS scale which is called Meteoroid.
The tuning I used follows (in cents)
E:\cakewalk\scales\andrews12of31edo.scl
!
andrew’s 12 of 31edo…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Perfect for a Sat' afternoon, after the grocery rush. "A national Acrobat" kicks ass!
great track and subject matter is something I can relate to. I am assuming your situation has improved.
I love this song. Amazing track.. strong vox in this. POWER
great tune, fine collab gents!
suspenceful i must say nice job
Nice track, Vaisvil. It feels like two competing ideas that drift back and forth between uneasy and dreamy.
Very nice. Sounds like the music track for a Chaplin or Keaton silent movie.
Beautiful .....
Well played.
Very tasty track. I like!
Peculiar.....no resolve...experimental journey.
pretty cool,, reminds me a bit of Vince G. (the fellow who did cast your fate to the wind and the Charlie Brown sound tracks) there's a nice whole feeling to this r
excellent stuff.. very minorish stylens ..
Now thats an atmosphere.....
nicely composed! :)
Very nicely composed :)
this fits my sunday night quite well, youve got a nice since of timing/ spacialness here,,
very nice.
Brillliant.
Haunting.....
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!