12 string
bass
vocals
drum loops (unfortunately)
if you want to play with this - or add a part - or substitute a part the tracks are here
http://clones.soonlabel.com/public/4collabs/Music.rar
the password is "sound-in"
all I ask…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
I got a new amplifier and instead of doing what I should have been doing I did this. It gets a little crazy in the middle and its microtonal so the vocals are gonna sound out - but I enjoyed it. Yeah, those be drum loops. 15 notes per octave.
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Yesterday was a misfire because I had the drums misaligned - but Fabrizio came to the rescue and mixed this properly! We hope you enjoy our collaboration!
Earth, Can You Hear me Now? is a rock composition in 17 notes per octave (17 edo, 17…
Barry Morse organized a fantastic multimedia Happening for John Cage’s 100th birthday at the University of Illinois Urbana-Champaign Krannert Art Museum. I took time lapse video and recorded audio from my vantage point. Presented here was a moment…
Barry Morse organized a fantastic multimedia Happening for John Cage’s 100th birthday at the University of Illinois Urbana-Champaign Krannert Art Museum. I took time lapse video and recorded audio from my vantage point. Presented here was a moment…
Barry Morse organized a fantastic multimedia Happening for John Cage’s 100th birthday at the University of Illinois Urbana-Champaign Krannert Art Museum. I took time lapse video and recorded audio from my vantage point. Presented here was a moment…
I got a new amplifier and instead of doing what I should have been doing I did this. It gets a little crazy in the middle and its microtonal so the vocals are gonna sound out - but I enjoyed it. Yeah, those be drum loops. 15 notes per octave.
I got a new amplifier and instead of doing what I should have been doing I did this. It gets a little crazy in the middle and its microtonal so the vocals are gonna sound out - but I enjoyed it. Yeah, those be drum loops. 15 notes per octave.
I got a new amplifier and instead of doing what I should have been doing I did this. It gets a little crazy in the middle and its microtonal so the vocals are gonna sound out - but I enjoyed it. Yeah, those be drum loops. 15 notes per octave.
who among us is to say, just exactly what we should have been doing?,,,, this is a bit,,, like a stretched out canvas,,, nice,, and here's to what happens when we should be doing other things r
I got a new amplifier and instead of doing what I should have been doing I did this. It gets a little crazy in the middle and its microtonal so the vocals are gonna sound out - but I enjoyed it. Yeah, those be drum loops. 15 notes per octave.
Reverie by Claude Debussy arranged for piano, violins, and violas.
Reverie may refer to:
A daydream
A dreamy state of mind.
reverie, an instrumental composition of a vague and dreamy character
“Rêverie”, a solo piano piece by Claude Debussy
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
yelyah - “solo piano 20100411” semi live improv
Semi live in that I had an idea of where I wanted to go, but never locked the melody in (as is probably obvious).
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time.
Now.... this is a lovely sensitive piece!
Comments on vaisvil's stuff
Rockin. Love the guitar.
This shoulda been on Led Zeppelin's last album... LG
This is just simply awesome! I love it! Piepod LG
Excellent! Proves you can rock with 17EDO.
A rockin busy track. Well done to everyone and loved the NASA footage.
Dark, reminds me of Soundgarden. Good stuff.
With the heaviness!
Well, rock AND roll. Out of this world, off the radar and pretty damn hot! Fantastic collabs, fellas. Vocals are dynamite!
FIRE!
great piece of work all round - everything gels for me...GREAT!
With a new mix.......
most well done friend,, r
Some trippy imagery with that music....gets the far out sticker of the week from me .....
Watching the video and listening to your work I must say that it really does speak the size of this spacious art gallery. Most interesting!
Most excellent composition and well played too.
Wild like a bushfire or a Vaisvil let loose.......good one Chris
who among us is to say, just exactly what we should have been doing?,,,, this is a bit,,, like a stretched out canvas,,, nice,, and here's to what happens when we should be doing other things r
Wild stuff Chris!
Coo this is a weird one. The video is as arty as the music.
Beautiful And Excellantly performed! LG
Comments made by vaisvil
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.
Nice - I love the rolling piano.
I like this a lot!!
Nice piano solo!
Hi Richard - I don't like being bored :-) I also am experimenting with some success with microtonal music as well. Drop by www.notonlymusic.com and www.chrisvaisvil.com some time. Now.... this is a lovely sensitive piece!
so nice... :-)
Nice!!! You make the piece come alive!
wow every piece I hear is really good! My hat is off to you Lalo Oceja!