an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).
there should be dialogs about these songs in chat areas on each page sometimes, betting that is what is going on at the site of yours where you post. :)
an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).
an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).
If the baby falls
The crib shall age empty
all of the earth
which ever lived
creation everyday
if the baby falls
it would leave the crib quite solo
The sources who join to nurture cries and giggles
Won't change diapers anymore
If our baby falls…
If the baby falls
The crib shall age empty
all of the earth
which ever lived
creation everyday
if the baby falls
it would leave the crib quite solo
The sources who join to nurture cries and giggles
Won't change diapers anymore
If our baby falls…
If the baby falls
The crib shall age empty
all of the earth
which ever lived
creation everyday
if the baby falls
it would leave the crib quite solo
The sources who join to nurture cries and giggles
Won't change diapers anymore
If our baby falls…
The lyric is ambiguous certainly but reading Evan's explanation, it is now clear. Thanks!
The guitar playing is gorgeous.....
More of that please, she said cheekily!
very cool Chris,, i find this very interesting,, you have great depth/sense of space in this, it's kind of neat viewing the photo and listening,,,,,nicely done
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
CROSS-OVER POLYRHYTHMS
This is actually a type of enharmonic polymeter, where 2 rhythms with **different meters** (i.e., a different numbers of beats/measure) are played at the **same tempo**: the measures do not line up each time. These rhythms…
Many nebulae form from the gravitational collapse of gas in the interstellar medium. As the material collapses under its own weight, massive stars may form in the center, and their ultraviolet radiation ionises the surrounding gas, making it visible…
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
Sung By John B - he also does most of the instrumentation. My contribution is simply that I wrote the lyrics and composed the music, and if you listen closely I play the guitar parts. A cross Atlantic collaboration.
two recorders and a flute get together in the back of a countryside English church late in the afternoon.....
NOTE --- you may need to turn up the volume a bit for this...
piece #6 of a cd i am writing of early music
comments about…
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.)
Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant.
this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
Did the guitar tracks first, followed by bass, then drums and vocals last. I wrote this song in a bookstore, after I came home and recorded it, I realized I made the song too short for all the lyrics.
Im talking, she's texting
Im givin…
Comments on vaisvil's stuff
good jam
there should be dialogs about these songs in chat areas on each page sometimes, betting that is what is going on at the site of yours where you post. :)
Trance inducing, love it
It certainly resonates! Are the delicate hammering noises the forge sounds? Then there are the buzzings! Or am I mistaken? This is very well done.
Weird and wonderful!
Different and interesting.
neat-0! Illegal Alien
Yes - I love it.
majestic!
Suspenseful and Interesting. M O R E W I N E
The lyric is ambiguous certainly but reading Evan's explanation, it is now clear. Thanks! The guitar playing is gorgeous..... More of that please, she said cheekily!
very nice
Psychedelic!
Ah lovely, just my cup of tea! I think she had a bottle by 3 mins! Bethan
Sounds like the story of a volcanic disturbance until peace reigns again. Spectacular! Bee
Mmm, well I am a melody girl really, but can appreciate the work and expertise that has gone into the making of this track. Nice fade out!
I can't think what that photo is about. I have a few ideas but .... Beautiful music Chris, so well played. Bee
I like what you did here - This tune deserves to be somewhere, like a sci-fi movie maybe.
very cool Chris,, i find this very interesting,, you have great depth/sense of space in this, it's kind of neat viewing the photo and listening,,,,,nicely done
Revisited - I still like it!
Comments made by vaisvil
nice, really nice!
Hi - I enjoyed this composition very much. I would like to mention though that the volume was very low. So much so I have to normalize it to listen reasonably. Do you lack software to do this type of manipulation? (or was this on purpose?) In any event this piece impressed me enough to go through your series of sonatas!
I enjoyed playing on this thanks Norm! - no guitars harmed in the improvisation
nice progression
welcome! And excellent track!
Aengus is all Ethno 2.
I love your voice reef. Excellent tune and production - your acoustics sound especially nice.
This is brilliant! Would you consider doing a collaboration sometime?
I suck at most electronica genres (like trance - I don't like the 4 on the floor aspect) and I don't think I've given country a serious try yet as well.
excellent collab!!
nice work - very rich - listened to it several times.
Well, since I have not used MOTU SI I can't compare but you can since you can hear my Kontakt 4 sample set. Sonar 8.5 was / is a radical upgrade if you write more than classical music. But if one were strictly classical composition minded a better (rational!) program than Sonar to score with would make more sense to invest in than sonar 8.5 . I look forward to hearing what you are working on!
I own the piano score but I found an accurate score as a midi file on the net and started from there. (That saved a 2 or 3 hours at my pace.) Then I loaded the file into Sonar 8.5 and orchestrated it by assigning instruments to the VSTi called Kontakt 4 and its Vienna Symphony samples. Adjusting velocities / color / and a few notes took 3-4 hours. The most difficult part was creating the final mix which I'm still not 100% happy with.
lovely, touching. A nice song and excellent vocals / lyrics.
Great vocal harmonies!
Hi Richard, there is a contest to make microtonal demo tunes with MOTU. Selection of contestants is over and now we all must make at least 3 microtonal demonstration pieces. The Dance of the Unicorn is in a werckmeister equal beating variant. this prelude is very nice. the descending register pattern is a nice variation. I see you sneak in the left hand :-)
Excellent!!
very different - twitch dance :-)
one of my favorites by you!
one word... Chills.