this is actually in a microtonal tuning - but a very mild difference from the usual
Vallotti & Young scale (Vallotti version)
12
!
94.135
196.090
298.045
392.180
501.955
592.180
698.045
796.090
894.135
1000.000
1090.225
2
A picture of Chicago’s near north side I took on a recent trip. Note the scaffolding for the church steeple.
17 edo electric guitar solo with ebow, whammy bar, and delay is a microtonal ambient minimalist piece.
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
this is just too good I have to give the machine's all the credits I did little more then guide them thru this landscapes in timeless experiential effects. I will have the big video that was cut up and layered here before effects soon to see…
yes this is part three of the disk i did...
this piece includes a hypnosis session doing a past life regression of me, bill newbold,.
just edits in the sounds.
This is a collab song with MTC. I almost hated adding anything to it cuz the first track he sent me was kickass vintage Jim. It totally changed flavors in the collab process, but still one of my favs
Didnt mean to have a political slant but had just got denied my large order soft drink in Manhattan.
All thats left are the small sodas with the "NY loves big cans" tee shirts
always liked this song. as a guitarist in the early 80's i played this song a lot in a band i was in. i went for a live sound on this so it would have a sort of an amplifier played live. i am the only one to blame for this song, as i did it all…
I think this needs a guitar solo but i'm not capable of doing it so if anyone would like to give it a go i would love to hear what you could come up with its in C. Otherwise i'm quite happy with it...now with a solo by Billy Jack
Please Don…
some mistakes, like playing live, but i make them right quicky. the song is for halloween and make of the lyrics what you will.
the drums have phaze on them. some of the soft guitars have phaze and flange. the beginning 2 1/2 mins are slow…
Chris Vaisvil sent me over some guitar to see what i could come up with…he also sent it to Phantasm777 to see what he could come up with on the drums and i might add has done a striling job with them….Chris then mixed it and sent it to me for…
yikes, hope i don't disgrace the beatles with this one. i tried to stay to the spirit of the song. obviously i didn't have a sitar and i didn't think i should need to re-create every sound effect they did, but i did many! one of my fav psyche…
i was trying to work on a piece for a shark video of mine, but this is what came out instead,, my piano moments collections are the small musical threads that emerge amongst/while i am working/thinking about other things,,,
Comments on vaisvil's stuff
Enjoyed this Chris....Bravo...
this is actually in a microtonal tuning - but a very mild difference from the usual Vallotti & Young scale (Vallotti version) 12 ! 94.135 196.090 298.045 392.180 501.955 592.180 698.045 796.090 894.135 1000.000 1090.225 2
Nice build, I have no idea how this cool pad is built. I was playing along on electric guitar . Huge open sounds! Ilove this one. Steve
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Comments made by vaisvil
thanks Reg!!
this is... like being inside of a factory at night when the machines wake up and devise artifacts of their alien will.
I found this really interesting.
This series has a good flavor so far. More subtle than usual. The first piece reminded me of the magnetic field of Jupiter as picked up by Voyager.
cool!
love what you guys did here.
wow the a capella is just stunning!
Love the vocal harmonies!! Great tune to pick and nice excution
Nice - sounds very romantic period - quite dramatic and powerful.
Well, I like this one 'cause I can relate to the lyrics.
great vocals, great solo, great story!
incredible musical and story telling vision in this!
Thanks everyone!
lol! this is crazy great!~
Ah wow!
Thanks for the listen and comment! This is crazy! in a good way!
Thank you for the listen and comment Richard! We ought to try a classical guitar and piano duet some day!
awesome version! enjoyed this a lot!
I like stretched music - I do a lot of it myself - did you stretch a version of the Beatles Dear Prudence?
I usually don't fav songs i'm on... but it really was 99% Reg and Phan so...