I guess you can call this in 13/8 meter or alternating 7/8 - 6/8 - but I counted it as 7-3-3. Also this was another proof of concept with Abelton Live. Three guitar tracks in F# phrygian more than less.
I guess you can call this in 13/8 meter or alternating 7/8 - 6/8 - but I counted it as 7-3-3. Also this was another proof of concept with Abelton Live. Three guitar tracks in F# phrygian more than less.
Akron police fired over 90 rounds, and over 60 of which struck and killed unarmed Jayland Walker. This story has been lost in the news cycle because of the horrific Highland Park 4th of July 2022 mass shooting and the assassination of Shinzo Abe…
I have been learning to put snare and percussion in the musescore song designs --- just little percussion hits here and there --- this is great -- and getting back to making more percussion scores -
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
Fender mustang, effects, sound effects (including freesound.org dcaudio interior walla...) and archive.org The Big Clock trailer and some homegrown stuff. And drone video.
https://youtu.be/rY5FhYqsEAk
Two tracks of 17 notes per octave (17 edo) guitar with effects.
https://commons.wikimedia.org/wiki/File:War_damages_in_Mariupol,_12_March_2022_(01).jpg
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
Reminds me of 1968-69 Pink Floyd.
Nice Chris - bit like a League of Crafty in the storm!
I have been learning to put snare and percussion in the musescore song designs --- just little percussion hits here and there --- this is great -- and getting back to making more percussion scores -
lovely melancholy spirit to this - feels very natural played!
is that you playing piano ?? with your fingers in that syncopated timing like that?? it is neat even if you made the computer play--
really nice-
just greatness --- all around with these songs --- wow
3:20+ might be cheap but good!
An abundance running over of fine guitar loops and creativity, Flying the Reservoir Calmly rises to the top! A bit for Kavin gives me a feeling of Radiohead!
OMG wow just greatness here --- the mix the sounds the effects it is all so cool- thanks for making this-
fallout vibes
That’s swell! ;)
Answer: 42
You are looking for an answer? Thinking happens without much thought these days.
Wow! I wanted to get away but I couldn't! That's really powerful... OK, now I need to go listen to 2112 as an antidote!
OMG manhole covers--- a very "important" kind of sound,.. awesome work here Chris,.
wow
Very interesting and compelling composition, I like it.
great wow
The walls are melting. I'd be worried about this if I wasn't renting.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!