This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
Adaptive Just Intonation (trying to keep the harmonies pure)
full screen and HD recommended for the video - to see the software in action responding to my (edited) improvisation.
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
I think that for the type of piece, this is in tune - almost. A little tighten here and there, it would be perfect. Playing in harmony most of the way through, well it has to be in tune!
This is a piece in a microtonal tuning - but sounds very much like pentatonic in "normal" 12 equal tuning to my ears. But I work in microtonal tunings all the time and may be biased.
How "in tune" does this sound to you?
This is a recording from my i phone off my back deck at home in Mill Valley tonight. Everyone howls at 8 pm for 1 minute in solidarity for the healthcare providers during this pandemic with COVID 19. its been going on for over 2 weeks now…
Ukulele and vocals performed by Jazz, 12.
She's starting to write her own stuff (proud!) but just to get her in the studio for the first time, here is a cover of a song by Vance Joy.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
Comments on vaisvil's stuff
Nice!
This is insane!!!
I can hear the quarter tones. Intriguing!
Neat!
enjoyed that Chris...............
Dreamy!
A most effective and fine composition. Hypnotic ending!
cool effects.
TD indeed! I wish they still sounded like this.
I hear bits where it's obviously not the "standard" tuning we've been trained to hear as "right" but this piece is quite beautiful to my ears!
I think I'm too used to hearing equal temperament. Sounds out of tune to me in places but not unpleasantly so. Will have to listen a couple more times
That's some tonkin' honkin'
Very nice "pure" harmonies! Ooo, lovely high notes!
and a Ho!!! Ho!!! Ho!!!! HAPPY CHRISTMAS ALL!!!!!!!
Most of the notes are on pitch but some are maybe a few cents flat? I agree with Sister.
I mean, it is in harmony, therefore, is in tune! Almost!
I think that for the type of piece, this is in tune - almost. A little tighten here and there, it would be perfect. Playing in harmony most of the way through, well it has to be in tune!
I agree with Norm 9/10 loved the tune..
Ah, so lovely...the intro was especially soul-sweetening.
Ooh!! Intriguing flavours! Very nicely done! Merry Christmas Eve, Chris.
Comments made by vaisvil
certainly Clapton has nothing on you!
this is great!
There is something compelling about your calm reflective pieces like this :-)
every cat has at least one... its were the 9 lives are stored...
enjoyed!
Nice sample! You gotta put it in a tune!
This is great!
great performance!
I like this one a great deal. The sections are more defined than usual And I like the character of each. I too listened several times.
Cool sounding!
amazing work!
really good composition with excellent production. I heard sounds coming from beyond my monitors - phase shifting?
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds