I got to play this $3,000 8 string baritone Taylor today. Had I $3,000 at all it would have been mine! It has to be one of the best guitars I've ever played and an ingenious string combination.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
Ah Chris, lovely track.
Who cares about the odd note here and there, it shows you played it through.
Crumbs, I wish I could!
Still can't get F or B - small hands!
I take my hat off to you sir!
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
This is a one guitar (Fender Mustang) improvisation leveraging my GR-20 into bass guitar, strings, synth wash + strumming and percussion. At 2:58 my low A string breaks and then my left forearm and hand cramps up. But it was fun as it lasted.
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
an intriguing listen - nearly mashed up my speakers but was worth it!
Nice!
Wild tune.
Great Job Chris...loved it
Cool! Always wondered what those things were like. Thanks!
Not too repetitious at all. Very nice!
I forgot to mention I really like this, repetition and all!
A most enjoyable and perfect accompaniment to my solitary breakfast. Ah, that's lovely Chris! What coins are these then? Aztec?
I pressed the wrong button again. Oh I'm so rubbish! Try again Bee! I said, Cool improvisation here. Gutsy and string snappingly good.
I most certainly think it was worth sharing.
Ah Chris, lovely track. Who cares about the odd note here and there, it shows you played it through. Crumbs, I wish I could! Still can't get F or B - small hands! I take my hat off to you sir!
Very enjoyable. Thanks.
I'm a sucker for acoustic. Thanks for sharing.
Dysfuncional goodness
Love it some great sounds as sister says Epic with a capital E.......shame the cramp stopped it....has a taste of E.L.P...great stuff
Very coooool, i hate it when string break.
Haha, let's hear it for the hand cramps! Epic sounds!
Way to work through the pain!
Beautiful. I didn't hear any flubs, either.
It is not. Well, classical, yes. Flubbed, no.
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!