Grenade_Fish_by_Fenrir06 from deviantART
A musical setting in 17 notes per octave of CA Conrad’s reading of his poem “Say it With Green Paint for the Comfort and Healing of Their Wounds†posted on PennSound. Title and concept credit…
This is part of a microtonal tuning survey. for those of a stout constitution all of the options follow:
These are playable online here:
http://notonlymusic.com/board/viewtopic.php?f=23&t=749&start=0
Here is the original harpsichord…
Electronic Dream #1 was made for the Internet Movie Project in 2002 that fell apart as I remember. All but the initial bright sweep which comes from the CZ-101 is from the Korg MS2000 analog modeling synthesizer. Excepting the Casio sample this…
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Oh Chris! Beautiousness indeed.
Just getting ready for bed and enjoying every note!
Night night! Thanks very much. I'd pay to go and listen to this.
Ooo, I'm come over all breathless!
The 11th Corridor of Tritave is an ambient piece performed originally on an M-Audio 88es with pianoteq in 11 edt, edited slightly and then ported over to four 11 edt instances of Z3TA+ 2.1 in Sonar X1.
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Continuing journey of late getting reacquainted with my acoustic guitar past in a new direction more improvised and spontaneous than I used to do and more akin to some of the acoustic work of recent years with Chinapainting. I'm also rediscovering…
Comments on vaisvil's stuff
I don't think I'll ever be the same!
Sounds like winters first tentative snowfall. Beautiful
Haunting notes! Will look forward to checking out this EP!
Trippy goodness
Lovely track Chris!
Nice guitar work.
Gorgeous! I love the shrill, crispy, clean bits. Then there is the deeper contrast, nice work!
Ahh, that's lovely! Well played!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
Oh Chris! Beautiousness indeed. Just getting ready for bed and enjoying every note! Night night! Thanks very much. I'd pay to go and listen to this. Ooo, I'm come over all breathless!
Wuh, they don't expect anyone to hear their conversations there, do they? Lovely jingly music, very pretty! Sounds orchestrally seasonal!
Damn- this is intense. Nice piece of work!
Agree with Solo, some parts very floydesk enjoyed every bit of it
Wow :) Very dark and mysterious... 2:35 is GORGEOUS. Very effective. 4:30 is a delicious modal mellowness. It's like the music got sleepy. The synth really ties this piece together though! I feel like I wanted the music to go somewhere more "wide open" if you know what I mean, especially with the thinning out at 3:40 and the more distorted guitar after 7:00.
You captured a precious feeling on this one!
Excellent!
Wow, this is so dreamy. Guiding, yet haunting at the same time. Great stuff!
Love the acoustic interplay on this!
Good one.
Nice......
Comments made by vaisvil
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!
You get some great sounds out of the pedal!
truly beautiful!
This is a lovely piece of intimate mystery!
this has a lovely mood that is introspective and unique
works extraordinarily well!
beautiful looping!
Love the dramatic opening and the release of tension that starts in the middle and resolves at the end nicely.