This is a study on using split keyboards and virtual instrument layering for live performance. More information is here http://chrisvaisvil.com/?p=1050 if you are into that sort of thing.
Also Lucian Freud has died today. I’m using one…
Heh, I couldn't believe I forgot to share this with my friends here. Well here is the story. I'm sure you'll only listen once and probably not all the way to the end.
Year: 2008
Album:
Singles
Artist's description:
Many years ago…
This is a study on using split keyboards and virtual instrument layering for live performance. More information is here http://chrisvaisvil.com/?p=1050 if you are into that sort of thing.
Also Lucian Freud has died today. I’m using one…
This is a study on using split keyboards and virtual instrument layering for live performance. More information is here http://chrisvaisvil.com/?p=1050 if you are into that sort of thing.
Also Lucian Freud has died today. I’m using one…
This is a study on using split keyboards and virtual instrument layering for live performance. More information is here http://chrisvaisvil.com/?p=1050 if you are into that sort of thing.
Also Lucian Freud has died today. I’m using one…
This is a study on using split keyboards and virtual instrument layering for live performance. More information is here http://chrisvaisvil.com/?p=1050 if you are into that sort of thing.
Also Lucian Freud has died today. I’m using one…
Recorded for ImprovFriday - yes I flub some notes badly and that G minor had no right being there!! - that's the danger of a live improvisation, at least at my skill level. The guitar is an Epiphone C70CE classical acoustic with piezo pickup…
Heh, I couldn't believe I forgot to share this with my friends here. Well here is the story. I'm sure you'll only listen once and probably not all the way to the end.
Year: 2008
Album:
Singles
Artist's description:
Many years ago…
Recorded for ImprovFriday - yes I flub some notes badly and that G minor had no right being there!! - that's the danger of a live improvisation, at least at my skill level. The guitar is an Epiphone C70CE classical acoustic with piezo pickup…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
Recorded for ImprovFriday - yes I flub some notes badly and that G minor had no right being there!! - that's the danger of a live improvisation, at least at my skill level. The guitar is an Epiphone C70CE classical acoustic with piezo pickup…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
This is a captured and then edited live performance using the Sonar Matrix view using various samples - some of which were paul stretched.
I'm liking this - if only they had the possibility to change the pitch live it would be like sticking…
It took a bit of doing and a lot of learning - I've built my first guitar
I have a video of all of the stills I took while making the guitar with some demonstration music.
The music has mistakes - but it is the first time I played it - I spent…
well well, a bit of the CV magic goes a long way,,,first off i love it!! the softer somewhat understated approach is superb, is that clarinet in the main? love it's blue feel,,,, there's almost a slight klesmer feel to this (2nd listen),, you musta had a lot of fun doing this,,, the more i listen i, hear just how well you have orchestrated/put this together,, very very well done,, as always i am amazed by your broad range of skills and musicianship,, yours,,, Richard
Heh, I couldn't believe I forgot to share this with my friends here. Well here is the story. I'm sure you'll only listen once and probably not all the way to the end.
Year: 2008
Album:
Singles
Artist's description:
Many years ago…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
Comments on vaisvil's stuff
I've been transformed into something 10 degrees cooler. Love the composition!
very nice!
Still, wow. Never heard of L. Freud, until now. thanks
This is breath stopping stuff. The gong is alarming and I found the whole composition extremely mysterious.
Great mix mate cool.
Cool mixing.
Agree with Norm it was fun ......now the important question is it going to pink or yellow........
Wow...very intriguing!
Yes, it's going somewhere though. You do love your oriental sounds don't you!
This makes me want to take some time and learn the OMPT too.
Nice one mate.
OMPT = Open Mod Plug Tracker - a program that turns your computer into a sampler.
Nicely done mate very cool.
Excellent stuff.....love the vocal adds tremendously to the madness........
Powerful Sound!
!!
well well, a bit of the CV magic goes a long way,,,first off i love it!! the softer somewhat understated approach is superb, is that clarinet in the main? love it's blue feel,,,, there's almost a slight klesmer feel to this (2nd listen),, you musta had a lot of fun doing this,,, the more i listen i, hear just how well you have orchestrated/put this together,, very very well done,, as always i am amazed by your broad range of skills and musicianship,, yours,,, Richard
Different and beautiful (full on effects) desecrating the beauty of all matter.
Well I love being in this lift. It can break down for all I care. Swoon!
Elevators never sounded so good!
Comments made by vaisvil
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds
beautiful in its sadness
really well done!
this may be long, but it isn't empty. I really, really like this one!
it opens like a hurdy-gurdy! Your layering is so orchestral - wonderful work
This is cooler - the SE-02 seems to be quite a nice synth~!
love the runs in this piece! Very powerful!
awesome!!!
I'm in awe of how you make these pieces every week. This is excellent contemporary classical music. I agree with Bill, beautiful ending!
But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore.
excellent!
Beautiful!
Lola has my respect. What synth was slept on?
Its why they fly in cris-cross patterns!