Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
http://chrisvaisvil.com/wp-content/uploads/2011/06/box_harmonics.jpg
I used Paul’s Extreme Stretch (PES) to take a hammer dulcimer + violin improvisation and divide it into seven streams based on just intonation relationships to A at 55 Hz…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
how cool Chris,, one of my life long favorites,, a piece that i have constantly arranged and played on a variety of instruments throughout my life,, tis truly a gift fun to hear,,, R
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
One of my early collaborations with Norm.
Down by the riverside
Where all of the fish had died
I threw my faith right in
When I saw it, it was sinking
Oh don’t you go
Don’t you even dare
Don’t run away until you’ve heard…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
I'm going to put this in my profile if it will fit.
the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
A composition for 3 piece jazz band, tenor sax, fretless bass, and drums in 14 equal divisions of the octave and 5/4 time. This was realized using Garritan Jazz and Big Band sample set and Sonar X1.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
I've been designing patches for my Prophet 6 the last couple weeks. I'm hand-playing a handful of them here...
The quote is [björk](https://www.youtube.com/watch?v=MixrSzIa264)
Music written and performed by Mike Smith, also known as Dragonsong.
When Mike first asked me to read this poem, he believed it was written around the time of the Spanish Flu...but, our sources say no. It was most likely written by Kitty O…
Tim Chandler was a tall man with a big heart and a great sense of humor. He was the bassist for a number of bands including Daniel Amos, The Choir, and The Swirling Eddies. He also played bass on sessions and tours for Phil Keaggy, Randy Stonehill…
Do you know where the title comes from?
One of the Disney Parks (I don't remember which one), as part of it's Covid-19 re-opening plan, suggested to patrons that screaming on a ride is a good way to spread the coronavirus, so instead they ask…
I was looking through my messages and found this collab i did with Kari a while back in 2017 i had forgotten all about. so pleased i found it thanks Kari
(Remastered 22/10/2021)
Now here's a bit of an oldie - the second song I ever wrote. In... 1978!
I think I played it once, or maybe twice, at school assemblies. My musical peers and colleagues back then dismissed it as corny/rancid pop music…
(Remastered 22/10/2021)
And here we go - Edith FINALLY gets it...
Actually, she's been getting it ever since I wrote it on the 29th May. I thought it would take a week or so, but it proved to be more of a fight than I was expecting.
On…
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
Andrew, sorry - I wasn't even think of that even though I saw a live show video by HAIM where some young ladies from southern California ripped that cover song up! Worth a search!
just like it says
I moved my headphones and the wires connecting them to the mixer .. the wires in turn turned down the sound on the headphones to nothing.. --- I was fumbling with the settings the power the levels the plugs where they were…
(Remastered 22/10/2021)
Here it is in all of its glory...
THIS is the song that Mrs R and I had decided was a suitable response to a request to "Upload something HAPPY, stat!!!!!!!!!"
I tried to record it back in 2013 when I wrote it…
AKA New Wave or "Unknown #1"
As always, apologies to the band for the guesswork.
LYRICS:
New wave
Wine
Dine
Smile
because I said so that's
Why
Mired
Fired
because I said so
I wrote this song as a way to process some of the feelings of sadness, dismay, anger, fear and love that were brewing inside my heart this past week. I live in Minneapolis, where the terrible killing of George Floyd occurred, and the subsequent…
Comments on vaisvil's stuff
Lovely exotic flavours!
Feels like underwater exploration - very atmospheric.
how cool Chris,, one of my life long favorites,, a piece that i have constantly arranged and played on a variety of instruments throughout my life,, tis truly a gift fun to hear,,, R
Lovely.
And how he danced....
I dig the mood on this -- cool song!
Moody stuff! Cool early Nirvana feel, which is always a good thing.
Nicely done
sickly syncopated , nice lyrics
I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.
great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)
Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.
interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?
pretty cool
pretty cool,,
Ha, wow, fascinating!
I enjoyed this, it's most interesting and compelling.
A jazzy little peach!
An enjoyable and delightful song.
Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.
Comments made by vaisvil
excellent textures!
love this! - I didn't know dungeon syth existed - thanks - if you want to add to XD that would be awesome!
This is a piece of epic proportions - I really love it!
great work!
Your speaking voice sounds so much like your mum. This is a beautiful composition and production!
Excellent work!
frickin' cows with lasers!
very complex and lovely texturing!
Excellent addition!
This works incredibly well together!
nice tune and great guitar! indeed - that is a weird emotionally social distancing instruction.
beautiful!
Excellent!
This is a great composition and the production top notch! Excellent work!
Andrew, sorry - I wasn't even think of that even though I saw a live show video by HAIM where some young ladies from southern California ripped that cover song up! Worth a search!
Good work! And yeah a mask is the only way to fly
Some really interesting music that obvious had its own life!
Wow... this is such touching melancholy. It has touch of gospel but so, so sad.
Excellent! I love the drive and the feeling that this is music about to explode from its own intensity.
got chills listening to this!