Wow now thats cool great sound mate.

On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.

Peachy!

Jazzerremendous...........

I can listen to this all day! awesome!

Outstanding.

Love it

Killer sound and nice playing

some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.

cool composition man. you asked about "One Chord & Four Notes" - nope i don't think i ever used b major, only arpeggiated down Bsus2.

Nice one mate excellent.

Most midi software should do the same you need a usb guitar link and midi software to play the guitar into then assign an instrument piano classical guitar whatever takes your fancy.

http://www.energy-xt.com/ sorry mate it is xt not x2 I got it bundled with my behringer midi board

brilliant sounds

Nicely done mate this is very cool.

http://guitars.musiciansfriend.com/product/Ovation-CC059-AcousticElectric-Classical-Guitar?sku=513499

Yes steel string, ovation do make nylon string classical guitars

It's all in the way you mix it and play with it mate.

I used an old ovation that I borrowed. Glad you liked it mate

Now that's cool mate great sound, oh and I do not have a lute just used acoustic guitar. Cheers mate

awesome!!!

Thanks Brett - I'm just being a session man here - Frank is seriously rocking this out!

nicely done - you should get Reg to sing on your version.

Hi Richard, not a webcam - that was Stonehedge at winter solstice. Nice piece here!

Nice, though the mix gets a bit muddy for the effects flying all over. +100 for covering this.

Now to return the favor - thanks for listening and commenting.

Hi - the poem is here http://chrisvaisvil.com/i-live-by-the-cemetery-ambient-in-17-edo-harmonic-series-polytuned/

gosh this is like music from the other side of the veil of the multi-universe!

I'm up for a collaboration. Perhaps I can play my long string harp which you can manipulate and videoize.

True, but doing that is hard without practicing in the new key a bit. This was more for the fun of it.

Can I make a request - The Wizard by Sabbath?

nice job on this!

Lovely orchestral piece!

This is a beautiful piece!!

Hi Richard, the tuning I used for the Magic of Belief has much more than major or minor and I used almost all of the. The opening plays with the chords CDG, CEbG CEb^G (a "neutral" third about half way between minor and major) and CEG (except the E is a purer 3rd than 12 equal) The main motive bottoms out at what my ears are telling me is a neutral interval against a D neutral chord (but I'm not 100% sure, I didn't work it out - could be D minor)

a very intense drone - I like the solo guitar work a lot.

and I love this song!

thanks for the comment.

Awesome! I love your fretless work!

love the sound of your synth here - reminds me lot of the old CS-10 I once had a very long time ago. http://www.vintagesynth.com/yamaha/cs10.php