I'm going to put this in my profile if it will fit. the question of how microtonality is perceived and why is a hotly debated one on the tuning list. There seems to be, in general, but not in all cases, shared intervals around the world, like the 5th. However non-western cultures use, in general, microtonal tunings. !2 equal notes to an octave is a relatively recent invention in the west. 300 years ago it was common for what would be now called a microtonal tuning to be in common, everyday use. As best as can be determined the push for 12 equal was all about changing keys in a single piece of music. If you take the tuning of the middle ages, Pythagorean, you find you can't play in any key despite having 12 notes because the intervals between the notes are not equally spaced. As a result when you take a pure chord and move it up or down the octave with the same distance between the notes it could become something hideous. 12 Equal solves that problem at the expense of detuning all notes, some more than others.

great sentiment.. i feel this when i escape to the park in Autumn - brilliantly articulated. love the vocal delivery too. reminds me of something but cant think what.. eno? a bit? good stuff anyhoot :)

Hi Ricard, thanks for the listen and comment. It is probably hard not to hear 14 edo as out of tune since it so close to 12 but not quite there. I think then your sense of it being flattened and less bright is the result of the tuning.

interesting piece, all the notes/sounds seems a bit flattened out (ie less bright, is that a result of the tuning?

pretty cool

pretty cool,,

Ha, wow, fascinating!

I enjoyed this, it's most interesting and compelling.

A jazzy little peach!

An enjoyable and delightful song.

Love the jauntiness! Nice Bryan Ferry touch to the vocal. Very cool.

Wow now thats cool great sound mate.

On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.

Peachy!

Jazzerremendous...........

I can listen to this all day! awesome!

Outstanding.

Love it

Killer sound and nice playing

some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.

Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.

wow - another side totally! I like the string / piano combination.

Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.

I love that metallic sound!

The cello work is especially good.

nicely done!!

excellent - this is a great song perfectly played and sung!!

enjoyed!!

Nice song - I did finally get around to listening to it :-) So this is literally unplugged hard bodied normally electric instruments - I've never heard of this being done before - awesome idea!!

lovely!!

lets try that again.... http://tinyurl.com/79uwvro

baby! This is great!! I suggest running the mp3 through Paul's Extreme Stretch too if youu haven't taken a listen. What this reminds me of is some of the odd ends and bits on Beatles albums I always wished was longer. In places it sounds backwards, other places an orchestra tuning up, other places a spaceship. Wow. man I'm floored - you really have a lot, I do mean a lot in two and a half minutes!! Check out Dan Stearns - http://homemademusic.com/daniel_stearns/info_237.php I think you'll like what he is doing.

I was going to listen to your song but then I figured I could to that tomorrow.

the individual samples for propane are stretched (and filtered) but not the composition.

luscious - beautiful I had not heard you until this morning and I'm glad I found your music and spirit.

nice spooky keys at 1:45 ish - very 60's psychedelic feel

well done!

I really this version!!

love it!

I hear a lot of melodies in this one. All of the drums seem to speak to me. Even the clave. Perhaps I'm finally getting it?