This will sound out of tune and very odd to most people... and certainly its not a "quality instrument". But it IS lo-fi :-)
I changed my $30 electric guitar from Just Intonation fretting to 14 equal notes per octave using cable ties, loaded…
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more.
Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Most midi software should do the same you need a usb guitar link and midi software to play the guitar into then assign an instrument piano classical guitar whatever takes your fancy.
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Year: 2010
Album:
Strange Danger
Artist's description:
Frank wrote the lyrics, sang, played bass and drums. Chris wrote the guitar and flute (sample) and mastered the affair.
Contributors:
blowing leaves by FM
i like to walk on a day like…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
Home made cannon in Just Intonation, cymbals struck by hand and bowed. (I don't own so many cymbals - I made a field recording while walking through the cymbal room at Sam Ash. A most exciting experience actually!) I did buy two cheap cymbals…
This is the first song I uploaded to share on the internet when I first donned the name Alpha_Alpha. Thanks to fellow 'lonetoners and SoOn friends Norm and Vaisvil for contributing to make this song really special!
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
This particular broadcast was talked out about a half hour before I went to my 'You Screwed up' meeting at school. I'd barely woken up and I was ready to Talk Hard about Life (It's capatilized because it's the only one YOU'VE got. That means it…
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
did a remix of latest B-52s (ex B-52's) song "Funplex". i admit i didn't really take the time to polish this, so it might have some flaws here and there, but it was fun to do and after all, is this not what matters most? :)
and you can…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Comments on vaisvil's stuff
Wow now thats cool great sound mate.
On the three GR-20 pieces uploaded 6/8/11 this is how it works. In a nutshell - my guitar replaces a keyboard - but can do more. Everything you hear is driven by me playing my Fender Mustang in one improvised pass. Now, for each song the Fender Mustang by itself (or through an amp simulator) is heard - this sound comes from the traditional pick ups on the guitar. Besides that I have installed a Roland GK-3 pick up on my Mustang. This pick up has 6 tiny picks ups - one for each string and connects to a fairly large switch and then a 1/4" cable with some 11 lines - regular guitar output and 6 outputs for the GK-3. This cable connects to the GR-20 synthesizer / midi interface. The GR-20 first decodes, almost instantly, the note each string is playing. It then converts that to midi pitch information and shoves that out the back. More on that later. Also, since the GR-20 is a synthesizer besides, it takes the pitch information and routes it to an internal sound (if desired). The really interesting part is what happens when I route that midi output to my computer. At my computer Sonar lets me assign that midi data to any number of synthesizers / samplers/ what-have-you all at the same time. So, if I want a voice or strings or piano - no problem. As for drums - Kontakt has a really neat groups of sampled drum sets that are a combination of "one shots" and smaller loops. So for instance on one of the pieces when I played the C below middle C I got a snare roll, play the B below it I get the accent that finishes the roll. So, by playing many notes I get a complex assortment of drum sounds that are in time with my playing. I've used this technique before - I am learning how to control it better - and the response is different for each of the dozen or so drum kits packaged with Kontakt - and then consider the effect of different tempos - the result is a fair amount of variety.
Peachy!
Jazzerremendous...........
I can listen to this all day! awesome!
Outstanding.
Love it
Killer sound and nice playing
some very moody blues there (not referring to the band)! Well played. Some old Beck/Clapton/Page sounds shining through.
cool composition man. you asked about "One Chord & Four Notes" - nope i don't think i ever used b major, only arpeggiated down Bsus2.
Nice one mate excellent.
Most midi software should do the same you need a usb guitar link and midi software to play the guitar into then assign an instrument piano classical guitar whatever takes your fancy.
http://www.energy-xt.com/ sorry mate it is xt not x2 I got it bundled with my behringer midi board
brilliant sounds
Nicely done mate this is very cool.
http://guitars.musiciansfriend.com/product/Ovation-CC059-AcousticElectric-Classical-Guitar?sku=513499
Yes steel string, ovation do make nylon string classical guitars
It's all in the way you mix it and play with it mate.
I used an old ovation that I borrowed. Glad you liked it mate
Now that's cool mate great sound, oh and I do not have a lute just used acoustic guitar. Cheers mate
Comments made by vaisvil
you sound like Radiohead from In Rainbows in places here!
I love this tune! I have in my car and listen to it fairly often!
dude - I love your voice! Nice wah work! Great voice by the kids!
Nice! - I like how it turns into a prog rock piece almost about 1:40 ish
the problem here is that this IS the truth. and that is sad. Nice podcast!
love the deep percussion and sexy tune!
I can't play it :-0 OR delete it...
Nice - I was wondering where you've been!! - and at least your song plays :-)
Actually, if you wanted, I could try a treatment like Keeping the Peace in Space on one of your piano pieces, if you'd like.
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
cool!!
all of this sounds so real!
wow~~!!
I love this~!! excellent!! How did you get the advant guard sounds?
this is beautiful and moving. I wish I could play piano this well. Awesome work Richard!
Rockin!!
nice piece - good progression - does sound western
this is so expressive, especially once the piano comes in.
if you wish for me to take down my re-mix of your piece let me know.
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!