On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
Frighteningly fast... how does the brain get the message to the fingers that quick! lol
Cool tune, haven't heard the original, yours rocks though. Buckethead is something else.
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
Jason, do you have a main guitar? Curious as to what it is... Some aeriously fantastic disciplined shredding here. I'll never get there myself, but I appreciate the talent and work to get to that level.
Crazy stuff!
Just a silly song I made up based on the title of an Accept song. I like Accept and was listening to one of their albums the other day and later when I went to record something the title "Flash Rockin' Man" was in my head and I just used that…
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
I feel you take to best of the old shred guitar days, lets say of the late 80's and early 90's when guys still played lead guitar, and do something unique with it. Are you familiar with the old Shrapnel Records label? I forget all those players now... Marty Freidmen, Greg Howe, Ritchie Kotsen? You remind me of those days, and I listened to all that on vinyl only!
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
Just a silly song I made up based on the title of an Accept song. I like Accept and was listening to one of their albums the other day and later when I went to record something the title "Flash Rockin' Man" was in my head and I just used that…
Sure, this does the trick. Got that cool Rob Zombie thing going on with the voice but the guitars are a bit groovier. Of course well done as always, but I really like the guitar riff at the beginning. Cool.
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
In an online course on Einstein's miracle year of 1905 we had to do a creative project and I was going to submit this but never did. Hope you think it's funny.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Didn't turn out as well as I'd hoped (my left forearm was burning like hell after each take). After the acoustic version, there's a distorted version, but the tapped harmonics at the beginning sound pretty crappy with distortion. I also added…
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Got the basic idea for this from Keith Wyatt's Guitar World column (Talkin' Blues, Feb 2014) in which he discusses some of guitarist Grady Martin's work.
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
This song was written after I had watched a documentary about Jonestown, which featured music from their choir. They were very talented and I couldn't help wondering if any of them had survived. I'd like to think that there were a couple of 'em…
I hesitate to upload this, but there are a couple folks around who like this sort of thing. This is an edited down version of a jam I had with myself back at the end of 2007. Live to 2 tracks with the aid of the Jamman. I think it was the first…
I was looking through my Doors music book and this one reared it's head and i thoughti'll try the one scale i know and try some lead ..so i dived in.........
Last of the archives for now. A set of reels from the Last Nights Fun album. I did pipes, whistle and guitar on the last tune in the set. There's a live version of this up here too. This is the studio cut
I remastered this one that got deleted a while ago, still too much stuff in it but keeps rabbits outta the garden when i crank it on exterior speakers outside.
Absolute power corrupts absolutely....
Lyrics:
One cloudless night, freedom's candle was snuffed
Kicked and punched, gagged and cuffed
They took him away, for what he's not
Then cracked his skull, as a gesture for his…
Comments on Jason Earls's stuff
This smokes Jason... nice playing, harmonics & all.
Whew! My hair is moving. Crank it up! ~WG
crazy guitar man!!!
Frighteningly fast... how does the brain get the message to the fingers that quick! lol Cool tune, haven't heard the original, yours rocks though. Buckethead is something else.
Jason, do you have a main guitar? Curious as to what it is... Some aeriously fantastic disciplined shredding here. I'll never get there myself, but I appreciate the talent and work to get to that level. Crazy stuff!
Excellent as always Jason....
I feel you take to best of the old shred guitar days, lets say of the late 80's and early 90's when guys still played lead guitar, and do something unique with it. Are you familiar with the old Shrapnel Records label? I forget all those players now... Marty Freidmen, Greg Howe, Ritchie Kotsen? You remind me of those days, and I listened to all that on vinyl only!
Wild , dig the squeals.
Sure, this does the trick. Got that cool Rob Zombie thing going on with the voice but the guitars are a bit groovier. Of course well done as always, but I really like the guitar riff at the beginning. Cool.
Good playing, cool tune!
Hell yeah! And for the record, Albert Einstein certainly was the man. \m/
The glory days of groove guitar jam are back. Very very cool.
Damn! Gotta pick my jaw back off the floor
Tearin' it up again! Nice!
\m/
Wicked cool
Very impressive picking,really cool stuff!
I was happy to see Ed in your collection, it's only right. Nice one.
Ohhh good one
Nice one...
Comments made by Jason Earls
Incredible piece, that acoustic sounds so good...
dig that guitar part!
great song, excellent lyrics!
excellent track, perfect title!
killer guitar work!
...the part at about 1:15, Wow!
great song, fun stuff!
Wow, excellent cover!
outstanding technique and phrasing!
Awesome version man! One of my favorite Doors tunes.
cool song, excellent harmonies!
amazing piece, love the change around :55!
Wonderful tune!
awesome tune man!
Wow, excellent!
Great instrumental, dig your guitar work. Really like the synth part around 2:05 and the ending section, nice.
One super fine groove.
I've listened to this tune many times and it just keeps getting better each time.
Very cool, reminds me of Schoenberg's 12-tone pieces.
excellent song, really like your vocals and guitar work.