Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well.
I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
I guess it's really gonna be farewell,
For as far as I can tell,
Once upon a time story sounds so swell,
the kind of story that we would tell,
We tell the children that it's all, alright,
Nursery rhymes to get through the night,
Hush little…
The Challenge posted on the Deluge Discord group for April 2024 was to make an ambient drone track, and to share some new patches. I wanted to see if the new effects in the Community Firmware v1.1 Beta were up to it, and they seemed to be! I crafted…
To those of you who go down the rabbit hole. It's been a long winter. <3Kat
How much should I sleep? What should I eat?
How to be a better friend
Why am I tired, uninspired? Writer's block, world's end
How much noise from your neighbor…
Song idea number one for the 2024 RPM Challenge becomes finished song number one.
This might be the only song I like for this year's RPM Challenge. We'll see. Is the mix too reverby? Probably. I like it today but I might not like it tomorrow…
In a dramatic finale, the colonists confront the ripple effects of their actions and the ultimate fate of humanity, as they strive to shape a new future for themselves and their planet.
Going through my collection over the years...thinking I'll post some of those old tunes (pretty rough and ready....one take, recorded on garage band I believe). Why not...life is short! Thanks to anyone who listens :)
When I was a boy, I would ring my nan on the telephone
Numbers in the holes
Spin it round then let it go
Nowadays..
I carry a phone in my pocket
Oh stop it!
Oh where will it end?
When I was a lad
Used a notepad when I wrote thank you…
compass spinning
never winning
a chance to play dead
and drift in your head
pin the needle
shun the steeple
all the people
aimless irreverent
north
south
east
west
I'm so lost
in this maze
a perpetual daze
a perpetual daze
Sorry to hear it affected you that way. The mood of the album is definitely impacted by the season. February in New England can be a little gray and cold. The album does have some tracks with a little more pep in the form of instrumentals.
The track name was sort of stream of consciousness. I was dabbling with words that fit the feeling/theme of the music, and that sequence had a nice flow to it.
Comments on AMUC's stuff
nice work on your 24hr. sounds like it was fun to make.
This is great. Supremely atmospheric.
Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well. I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
right on! love the monstrosity! good work!
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
This whole album is catchy. It makes for nice background music while I'm working.
Love the lyrics to this one..
This is really nice. It reminds me of early electronic music from the 70s, and perhaps even before?
Digging this. Nice and meditative..
I'm getting strong Art of Noise vibes from this. Well done.
I'm digging this one. The lyrics really connect.
Reverb and overall mix sounds good to me. Good job!
What a strange sonic dimension this is. Very immersive through headphones.
Solid RPM Challenge album - this was a blast to listen to through headphones.
I like the acoustic space of the track. Listening through headphones, it feels like the band is surrounding you as they play.
This is ASMR-inducing stuff. Sounds really immersive through headphones. I'm getting an FSOL vibe from it.
Love this - getting strong Camper Van Beethoven vibes from the lyrics (particularly the verses).
I love the lyrics -- it brought a big, goofy smile to my face.
OMG - this is bliss through headphones.
Sorry to hear it affected you that way. The mood of the album is definitely impacted by the season. February in New England can be a little gray and cold. The album does have some tracks with a little more pep in the form of instrumentals.
The track name was sort of stream of consciousness. I was dabbling with words that fit the feeling/theme of the music, and that sequence had a nice flow to it.
I'm digging this album. I'm getting a lit bit of a Neal Morse vibe from this song lyrically.
I like this. Loaded with procedural awesomeness.
Oreo is an awesome singer.
This is one of those tracks that if you close your eyes while listening, it will conjure up mental imagery and take you to a very specific place.